A young man at the end of his life tries to find hope and meaning through the relationships he will leave behind.
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After the tragic death of her husband, a soldier posted to Afghanistan, Bryony tries to build a new life for herself and her young son, James. Struggling with her own grief she fails to notice that James has become secretive and withdrawn, spending hours alone playing out death scenes with his toys. When things start to go missing and furniture is smashed Bryony blames James but when she confronts him she finds herself facing a reality more terrifying than any nightmare. As her world crashes around her Bryony realises that unless she can find a way to reconnect with her son she and James will be separated for ever.
The early Middle Ages. A time of heavy swords and dark blood law. The ruling clan is in discord. The guilt for the accidental death of the brother has fallen on the Grand Duke. According to the law, revenge must be taken by the younger brother, a bastard. For the refusal to kill, he has to pay with eve- rything he had, because “for peace you need more swords than for a war”…
Shirley has left the big city to live in a small seaside town and look after her elderly grandmother. She drives a tractor on a local coconut plantation, loves rock music and wants to be a tattoo artist. She feels trapped in the tiny coastal village. She is involved with Jeison, who also works on the coconut farm and who free dives for lobster and octopus in his spare time.
A criminal who runs a brothel becomes obsessed with a beautiful college student. When she rejects him he sets her up by introducing her to a loan shark and when she can’t pay, she is forced into working in the brothel. But when she gets the chance to escape she realizes she cannot return to her former life.
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The wife of a barbaric crime boss engages in a secretive romance with a gentle bookseller between meals at her husband’s restaurant. Food, colour coding, sex, murder, torture and cannibalism are the exotic fare in this beautifully filmed but brutally uncompromising modern fable which has been interpreted as an allegory for Thatcherism.
A brainwashed girl is convinced by her authoritarian mother that her dead father will resurrect if they prove their love for him. Until he begins to rot.
Personal shopper Gwen’s newest client, Charlie, is a high-rolling, workaholic, single father. When Gwen meets his 8-year-old son, Owen, during a package drop, she is saddened to see just how little time Charlie spends with him. Determined to get Charlie to appreciate his family, Gwen makes it her Christmas mission to get him into the festive spirit.
