A young mouse named Fievel and his family decide to migrate to America, a “land without cats,” at the turn of the 20th century. But somehow, Fievel ends up in the New World alone and must fend off not only the felines he never thought he’d have to deal with again but also the loneliness of being away from home.

In India, open romance is forbidden, as is showing affection in public. A college principal named Narayan is a strong believer in this, aware that a male student named Vicky is in love with Ishika; while another male student is hopelessly in love with Sanjana; and a third man named Karan is in love with a married woman named Kiran. No amount of persuasion can get Narayan to change his mind. Then the college recruits a music teacher named Raj, who eventually starts fanning the flames of love among the students, much to Narayan’s chagrin, anger, and displeasure. Things get worse when Narayan finds out that Raj was the very man who fell in love with his daughter who eventually committed suicide when he didn’t grant them permission to get married. Will the six young people be also heartbroken by Narayan, and if so, who will be the first to kill himself or herself?

Boston cop Pally is forced into early retirement, putting a strain on his marriage. Pally’s stepbrother, Ray, attempts to lift his spirits by tipping him off to a sure-bet racehorse. But their attempts to secure the champion equine are thwarted by a local mob boss, who steals the horse as repayment for a gambling debt. With their investment on the line, Pally and Ray become entangled in a web of underworld crime and murder.

In a small town in Scotland, a young man must overcome his depression and the voice that haunts him daily. From a cliff top, a man in a hoody leaps to his death.

Depicts a heist of old bills, retired from circulation and destined by the government to be “money to burn”. However, more broadly, it addresses the issues of Black Americans’ involvement in the Vietnam War and their subsequent disillusionment with progress in social issues and civil rights back home in the United States, during the 1960s.

A pair of single parents, who have each brought their children to a remote Scottish resort for an annual family-and-games event, are accidentally booked into the same cabin. Naturally, they can’t stand each other…at first.

A mysterious attacker is preying on the rich and decadent set in an elite community.

A grieving father in a downward spiral stumbles across a box of his recently deceased son’s demo tapes and lyrics. Shocked by the discovery of this unknown talent, he forms a band in the hope of finding some catharsis.

An Indigenous teenage boy fights through distorting realities as a family secret unravels.

Career woman finds out that her boyfriend is living a secret double life. She finds a bag of money and decides to make a run for it. She is accompanied by a little girl who is also on a run from her criminal step-father. Together they’re trying to make it to her grandmothers house.

Marital fidelity can wear you down, and Ondra and Vitek are certainly suffering from a case of serious fatigue. Working side by side and living next door to each other, it doesn’t take long before these two long-married middle-aged pals start comparing sex notes, and it’s plain to see their latest scores have fallen far below what they would have hoped. Luckily, a surprise holiday on a tropical island rekindles their interest in their wives – only they don’t exacly lust after their designated partners. With no one to divert their attention, their roaming eyes inevitably settle on the wrong spouse, and pretty soon they’ve established their own little Holy Quaternity.

Alienated and cold, The Mortician (Method Man) processes the corpses with steely disregard. He is lonely and isolated. He is introduced to his new employee, Noah, (EJ Bonilla) by the morgue boss (Edward Furlong). Noah is a volatile youth working as part of his parole.Noah brings the notorious gangster, Carver (Dash Mihok), and his crew to the mortuary door. The Mortician’s attention is pricked by the tattoo of Botticelli’s ‘Birth of Venus’ inked on the body of a murdered woman (Judy Marte), that arrives at the morgue, triggering a series of haunting dreams from his childhood. Discovering a scared child, Kane (Cruz Santiago), fleeing the morgue, he’s forced to act. They become reluctant allies, struggling for redemption as they run. Through his awkward heroism, the Mortician reconnects with his long forgotten past, and finds the answers he’s been searching for. He find redemption and peace.