Journey through the human experience as the pandemic tests what we are made of both as individuals and as a culture.
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When a kindergarten teacher takes her 16 students hostage and makes a set of demands, it not only rattles the Mumbai police and the city but also sends shockwaves through the country and its leaders as the motive behind the hostage situation is unearthed.
Simple conversations engender complicated human interactions. The first in Eric Rohmer’s Four Seasons series, Conte de printemps (A Tale In Springtime) is the story of an introverted young girl (Florence Darel) just reaching adulthood who takes a liking to an older woman she meets at a party (Anne Teyssedre) and determines to match her off with her father (Hugues Quester), despite the latter’s already having a lover of his own. There is a certain absurdity to this, apparent to both adults, who though both reluctantly attracted to each other resent Darel’s attempts at matchmaking. Nevertheless, both of them are intelligent enough to understand that there is no ‘proper’ way to meet, and are alive to the possibilities that life brings them. Darel, for her part, is a persistent catalyst. As with all Rohmer films, the stage is set, in an age of increasing impermanence and uncertainty in human relationships, for a series of minimalist reflections on love and life.
As a young New York couple goes from college romance to marriage and the birth of their first child, the unexpected twists of their journey create reverberations that echo over continents and through lifetimes.
In worn-torn Afghanistan, young marine Tyler’s life is changed when he is saved by a fellow soldier, Quincy, who dies in doing so.
A true story of a six-year-long legal conflict of 10 comfort women and 13 attorneys against 200 Fukuoka supporters association.
“In re-viewing our Super 8 films, shot between 1972 and 1981, it occurred to me that they comprised not only a family archive but a testimony to the pastimes, lifestyle and aspirations of a social class in the decade after 1968. I wanted to incorporate these silent images into a story which combined the intimate with the social and with history, to convey the taste and colour of those years.” Annie Ernaux
Jon Lansdale is a comic book artist who loses his right hand in a car accident. The hand was not found at the scene of the accident, but it soon returns by itself to follow Jon around, and murder those who anger him.
Twisted, apocalyptic satire, THIS IS NOT A MOVIE envisions the end of the world through the bi-polar mind of a strung-out pop-culture addict. Starring Edward Furlong and Peter Coyote, with a jagged, atmospheric score from Slash.
A talented young street-food cook pushes herself to the limit after accepting an invitation to train under an infamous and ruthless chef.
In Mystery, Alaska, life revolves around the legendary Saturday hockey game at the local pond. But everything changes when the hometown team unexpectedly gets booked in an exhibition match against the New York Rangers. When quirky small-towners, slick promoters and millionaire athletes come together.
