Williamstown, Kentucky, is home to the Ark Encounter – a “life-size” creationist museum filled with all of the creatures that traveled in Noah’s Ark, including dinosaurs. With incredible access to the park leading up to its opening, the filmmakers expose the larger system behind the creationist movement, piecing together the many factors that have led to the museum presenting its information as historical fact, and the people who are fighting to set the scientific record straight. Amid a climate of science denial and a well-funded corporate behemoth, three Kentuckians (a local geologist, an ex-creationist, and an atheist activist) try their best to challenge the movement that is taking over their home state. Meanwhile, fervent believers work diligently to create the lifelike animatronics that will be on display in the Ark.

Celebrated filmmaker and photographer Cheryl Dunn turns her lens on the pioneers and masters of New York street photography. Dunn profiles artists spanning six decades, including Bruce Davidson, Mary Ellen Mark, Jill Freedman, Jeff Mermelstein and Martha Cooper, revealing that these shooters are as colourful and unique as the subjects they’ve relentlessly documented. Everybody Street explores the passion that compelled Freedman to spend years riding in squad cars during the most violent years in the city; Bruce Gilden’s drive to thrust his camera in people’s faces to capture a moment; and Martha Cooper’s dedication to chasing graffiti on passing subway cars in the Bronx. The film is a definitive look at the iconic visionaries of this often imitated art form.

Ayn Rand was born in 1905 in St. Petersberg, Russia. She escaped to America in 1926 amidst the rise of Soviet Communism. She remained in the United States for the rest of her life, where she became a much respected author of The Fountainhead and Atlas Shrugged. The themes of freedom and individualism were to be her life’s passion…

The untold origin story behind Ridley Scott’s Alien – rooted in Greek and Egyptian mythologies, underground comics, the art of Francis Bacon, and the dark visions of Dan O’Bannon and H.R. Giger. A contemplation on the symbiotic collaborative process of movie-making, the power of myth, and our collective unconscious.

A documentary about how a dominant cultural and demographic institution both sustains their traditional activities and adapts to the digital revolution.

An indigenous lawyer represents the division among his people between traditional caring for the land and developing the resources it contains.

Michael Shannon stars in the role of Herbert White, a character based on the poem of the same name by Frank Bidart. The story follows Herbert as he works in the lumber industry, supports his family, and stalks and murders women he picks up in town. While Herbert is not exactly sympathetic, viewers are allowed to enter the mind of a serial killer, and realize that most of the time he behaves like everyone else. Movies like “Henry: Portrait of a Serial Killer” have done this before, but to successfully position the audience inside the mind of a complex human monster in 14 short minutes is quite a feat.

A look at how a child abuse case engulfed a California beach community in 1983 and became a modern-day witch hunt.

PhoeniXXX is the story of two women, who had to reinvent and recalibrate themselves for others in order to escape poverty and reach their goals. In the end, both seem to get what they want, but the erotic chat industry took its toll on of them.

The moving story of the last generation of Holocaust survivors who travel to Poland with thousands of teenagers from around the world to retrace the Death March from Auschwitz to Birkenau.

Michael Winterbottom, celebrated director of 24 Hour Party People, The Road to Guantanamo, and The Trip, joins forces with actor, comedian, and provocateur Russell Brand for that most unlikely of documentary approaches: an uproarious critique of the world financial crisis. Building on Brand’s emergence as an activist following his 2014 book Revolution, where he railed against “corporate tyranny, ecological irresponsibility, and economic inequality,” The Emperor’s New Clothes pairs archival footage with comedic send-ups conducted in the financial centers of London and New York. Brand spotlights not only how the crisis affected the working class around the world, but also how the uber-wealthy benefited from the downturn. With Winterbottom providing his signature ingenuity and pinpoint directorial control, they generate a riveting, boisterous, and, at times, cathartic riff on the extreme disparities between the haves and have nots in contemporary society.

An intimate, affecting portrait of the life and work of ground-breaking performance artist and music pioneer Genesis Breyer P-Orridge (Throbbing Gristle, Psychic TV) and his wife and collaborator, Lady Jaye, centered around the daring sexual transformations the pair underwent for their ‘Pandrogyne’ project.