A small Indian village: an old man is addicted to watching pornography with his friends. One fine day, he accidentally brings home a DVD with a Godard film inside it. Though his friends were disgusted, Ananda gets attracted to Godard’s film and gradually develops an obsession. He initiates the idea of hosting a film festival in their village where Godard’s films will be screened. The festival gets organized after a lot of drama, but what happens next is to be seen.
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A fisheries expert is approached by a consultant to help realize a sheik’s vision of bringing the sport of fly-fishing to the desert and embarks on an upstream journey of faith and fish to prove the impossible possible.
It all starts with one little seed of love.”The Miracle Maker is coming!” Everyone in the tiny hamlet is excited when they hear the news that the renowned man of wonders is coming to their village. But the humble traveler who appears isn’t what anyone expected. They were looking forward to someone magnificent who would change their lives. But it seems this man can barely take care of himself, let alone fulfill the dreams of others. However, miracles can come in all shapes and sizes and sometimes from unexpected places.
Paul, a teenager in the underground scene of early-nineties Paris, forms a DJ collective with his friends and together they plunge into the nightlife of sex, drugs, and endless music.
Chris Neilson dies to find himself in a heaven more amazing than he could have ever dreamed of. There is one thing missing: his wife. After he dies, his wife, Annie killed herself and went to hell. Chris decides to risk eternity in hades for the small chance that he will be able to bring her back to heaven.
When a violent act kills her parents, Sita vows to debunk the idea of supernatural torment after death — a fixation that leads her on a dark quest.
Jay Shivaray In ‘Subhedar’, one will experience the thrilling feat of a mighty warrior who sacrifices his life to build the victory pylon of Swarajya on the summit of the fort, setting aside the marriage of his son.
A once-promising doctor begins a downward spiral, finding himself in opium dens, a carnival freak show, and drugs parties.
An artist and her elderly mother confront long-buried secrets when they return to a former family home, now a hotel haunted by its mysterious past.
“The Risk not Taken” is a story about making the right decisions. Can one calculate the inherent risks of imminent decisions and take full responsibility for their outcome? Should one be allowed to make decisions of this magnitude for others? With the symbolic omnipotent sphere, the main character holds the world’s fate in his hands. The decision is his whether to use this power to improve life for many, yet at the same time might risk a catastrophe, or to separate himself from this power, and take the safer, more long lasting path. As he ponders and envisions the possible risks involved if he were to use the power, as well as what he would lose if he made the wrong decision, symbolized by the woman and child, he decides against this burden of power and lets go of the power and lets the sphere fall so as not to be tempted to change his mind.
Carrie is a religious fundamentalist. But her mother decided to come-out-of-the-closet and marry another woman, which they have a daughter together with. Now, she is forced to move into a new house with people she cannot accept. The story takes place over the first two days at the strange house, as Carrie’s new parents leave for a business trip and she must now take care of her step sister. As creepy occurrences lead to full blown terror, Carrie must learn to overcome her own fears and believes to save her little sister.
While grappling with early symptoms of dementia, Shailaja finds herself at the cusp of her past, present, and future. She decides to go on a trip to revisit her childhood before her memories ebb away. She embarks on a confrontational journey that makes her deal with questions related to a traumatic event in her childhood, the mundanity of her marriage, and the complexity of her future as she travels through the coastline of Konkan with her husband and childhood love.
Sukri and Surti had to return to Cibeureum because Sukri’s father died. However, after the funeral, Sukri’s family could not immediately return to Jakarta, because his mother was involved in a criminal case. Meanwhile, their two children, Bayu and Gerhana, are starting to feel comfortable because they have met extraordinary new friends, Cempaka and Sangaji, go on an adventure to help solve the family’s problems in an unexpected way. The sense of family is tested in the face of challenging situations.