Multiple Grammy Award-winning singer Adele performs a special one-night only concert in New York at Radio City Music Hall. This extraordinary performance marks the artist’s first concert in the U.S. since fall 2011 and her largest show to date in New York. Adele recently released her highly anticipated new album, 25. The album’s first single, “Hello,” shot to the top of charts around the globe upon release on October 23. The video for “Hello” was also released on October 23 and amassed over 146 million views in just one week. “Adele Live in New York City” is executive produced by Lorne Michaels, Adele and Jonathan Dickins, and directed by Beth McCarthy-Miller.
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Atlanta musicians behind some of the biggest names in music embark on an uncertain journey into the spotlight with a new genre of music that fuses trap music with jazz.
Our African-American hero , Brad is bullied by his dysfunctional mom; he flees his home and by chance tumbles down the rabbit-hole into the LA ball scene where he finds a ragtag new famiiy. With music by Beyonce music director, Kim Burse, screenplay and lyrics by Glenn Gaylord choreography by Beyonce dance master, Frank Gatson Jr. and eye-popping visuals and direction by Sheldon Larry, the film is an ode to the wild funky and heart-aching life of this amazing underground. Written by Sheldon Larry (IMDB.com).
In this powerful abstract film with a soundtrack of African drum music, Lye scratched “white ziggle-zag-splutter scratches” on to black leader, using a variety of tools from saw teeth to arrow heads. The first version of the film won a major award at the International Experimental Film Festival Held in Brussels in 1958 in association with the World’s Fair. Stan Brakhage described the film as “an almost unbelievably immense masterpiece”.
The battle to revive dying tradition comes to life through the young musicians of Southwest Louisiana in this powerful musical documentary. Amidst shuttered rural dance clubs and encroaching globalization, five Grammy award-winning artists lend their voices, examine the discrimination that almost erased their customs, and share the unique sounds created when the forces of fresh talent and deep history collide to fight for cultural survival.
On the eve of the 25th Anniversary of their iconic self-titled debut album, Third Eye Blind is set to play the historic Red Rocks amphitheater for the first time. An approaching storm threatens to cancel the show, as the band overcomes speech-losing migraines, altitude sickness, and a lighting person walking off, all the while delivering a hit-filled performance to thousands of their adoring fans. Cycling through their catalog of mega hits (Graduate, Jumper, How’s It Gonna Be, Semi-Charmed Life), Third Eye Blind overcome these impossible circumstances by relying on each other, and connecting with their devoted audience.
Gaia, Aga and Awan only have one goal in their lives: to play music. They formed a band, produced their own mini-album, and distributed it with the support of a local music store. Soon, the album made them local heroes. But outside the band, they each have their own secrets. Despite the maturity of their music, they are still young and restless, and are still looking for their true identities. As Garasi gains popularity, their friendship is put to the test. The hidden love, the miscommunication, their conflicts with their families, and judgments from the media and society force them to realize who they truly are and how much they love their music.
In order to win the Street Dance Championships, a dance crew is forced to work with ballet dancers from the Royal Dance School in exchange for rehearsal space.
It’s almost graduation day for high school seniors Troy, Gabriella, Sharpay, Chad, Ryan and Taylor ― and the thought of heading off in separate directions after leaving East High has these Wildcats thinking they need to do something they’ll remember forever. Together with the rest of the Wildcats, they stage a spring musical reflecting their hopes and fears about the future and their unforgettable experiences growing up together. But with graduation approaching and college plans in question, what will become of the dreams, romances, and friendships of East High’s senior Wildcats?
Based on the true story of acclaimed music icon “Dalida” born in Cairo, who gained celebrity in the 50s, singing in French, Spanish, Arabic, Hebrew, German, Italian, playing in awarded Youssef Chahine’s picture “Le Sixième Jour”, and who later committed suicide in 1987 in Paris, after selling more than 130 million records worldwide.
Form small beginnings on a Victorian farm to globetrotting punk rock icons, the Cosmic Psychos became one of Australia’s most influential bands. Now after thirty years of music making, ‘Cosmic Psychos: Blokes You Can Trust’ documents the highs and lows of the group’s musical career as told by members from the Melvins, L7, Mud Honey, Pearl Jam, and The Hard-Ons with other international music producers and from the Cosmic Psycho band members themselves.
The film follows aspiring singer-songwriter Jed King (Alan Powell) as he struggles to catch a break and escape the long shadow of his father, a country music legend. After reluctantly accepting a gig at a local vineyard harvest festival, Jed is love-struck by the vineyard owner’s daughter, Rose (Ali Faulkner), and a romance quickly blooms. Soon after their wedding, Jed writes Rose “The Song,” which becomes a breakout hit. Thrust into a life of stardom and a world of temptation in the form of fellow performer Shelby Bale (Caitlin Nicol-Thomas), Jed’s life and marriage begin to fall apart.
