In order to keep herself and her newborn baby alive, a mother must fight to overcome postpartum depression, grief, inner demons, sinister impulses, and an unseen tormentor until her husband can return home from his business trip to help her.
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A hilarious and heartfelt comedy! Meet Juan (Juan Luis Galiardo, Goya Ward Winner for Best Lead Actor)… an unbelievably charming middle aged ladies’ man who is still taken as handsome even though he has to disguise his belly, his white hair and his “health” problems. A series of amusing situations begin when Juan is torn between his daughter, who unexpectedly and inconveniently arrives into his life, and his latest – and failed – love affair. His failed attempts at trying to patch things up will have you not only laughing out loud but it will also leave you with a wonderful sense of love and family values.
The year 2000 approaches in Jerusalem’s Orthodox Mea Shearim quarter, where the women work, keep house, and have children so the men can study the Torah and the Talmud. Rivka is happily and passionately married to Meir, but they remain childless. The yeshiva’s rabbi, who is Meir’s father, wants Meir to divorce Rivka: “a barren woman is no woman.” Rivka’s sister, Malka, is in love with Yakov, a Jew shunned by the yeshiva as too secular. The rabbi arranges Malka’s marriage to Yossef, whose agitation when fulfilling religious duties approaches the grotesque. Can the sisters sort out their hearts’ desires within this patriarchal world? If not, have they any other options?
Loursat, a lawyer, lives with his daughter Nicole in a sinister and vast bourgeois residence. Abandoned for nearly twenty years by his wife, the brilliant lawyer has sunk into alcoholism and his relationship with his daughter is virtually non-existent. However, one day the corpse of a stranger is discovered in the residence of Loursat. Nicole, who frequents a gang of young people who escape boredom by stealing cars and other objects, is immediately suspected.
Behind the magnificent Taj Mahal lies a cluster of dingy homes where Chanda (35), a domestic help, lives with her 14-year-old daughter Appu. Chanda aspires and dreams that her daughter will study and embrace a better fate. When Appu tells her she wants to quit school and become a maid like her, Chanda takes a strong decision: she will herself go back to school, and even join the class of her daughter.
Infernal Affairs III is a 2003 Hong Kong crime thriller film directed by Andrew Lau and Alan Mak. It is the third installment in the Infernal Affairs film series, and is both a sequel and a semi-prequel to the original film, as it intercuts events before and after the events in the original.
A wealthy New York investment banking executive hides his alternate psychopathic ego from his co-workers and friends as he escalates deeper into his illogical, gratuitous fantasies.
Seven strangers find themselves trapped inside an abandoned hospital after an unexplainable apocalyptic event. In addition to being haunted by what they’ve lost, the strangers must also fight off mysterious creatures that hunt them down one by one.
A model is murdered at a famous fashion house and the Hillmans start to investigate. Kajsa Hillman is employed as a model and discovers that several people had motives to kill her.