Across the Line (2000) is a truthful representation of both hope and corruption, focusing on critical events transpiring at America’s border with Mexico and known both to those who live on the “line” (physical and metaphorical) and to those with the courage to cross it. Further it is a fine example of the filmmaker’s art, featuring convincing portrayals underpinned by a convincing script and the directorial talent of Martin Spottl.
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It is Midsummer’s Eve and ten people are on a deserted castle for a TV recording. The next morning the program leader is shot dead. Kvällspressens Annika Bengtzon a mandate to monitor the murder, but she soon learns that her best friend Anne Snapphanevägen is one of the ten suspects. When the police released all one after another – all except Anne – it becomes personal for Bengtzon who will do anything to exonerate her friend.
Two “ride or die” sisters raised in NYC reunite with their estranged brother in Dominican Republic to clean out their late father’s childhood home. The siblings laugh, brawl, and face their demons as they come to terms with letting go of their last connection to their motherland.
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American chemist Ned Faraday marries a German entertainer and starts a family. However, he becomes poisoned with Radium and needs an expensive treatment in Germany to have any chance at being cured. Wife Helen returns to night club work to attempt to raise the money and becomes popular as the Blonde Venus. In an effort to get enough money sooner, she prostitutes herself to millionaire Nick Townsend.
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After the tragic death of her son, Arlene loses everything, her husband, her home and she starts to lose her mind. When the mysterious Endeavour Institute offers her a chance to travel back and change things, she eagerly accepts and begins her journey to the past. Plagued by the memories of her alternate reality, Arlene must separate the real from the false without upsetting the delicate balance. She is unprepared for the terrible price she must pay for saving her son.