Pobby & Dingan are invisible. They live in an opal town in Australia and are friends with Kellyanne, the 9 year-old daughter of an opal miner. The film tells the story of the bizarre and inexplicable disappearance of Pobby & Dingan, Kellyanne’s imaginary friends, and the impact this has on her family and the whole town. The story is told through the eyes of Kellyanne’s 11 years old brother Ashmol.

Troubling circumstances bring forward three women who work together to plot their revenge against one common man who is responsible for destroying their lives.

A devoted young woman becomes ensnared in a web of sexuality and betrayal in Jean-Pascal Hattu’s consistently unpredictable and finely wrought character study. A vividly realistic psychosexual drama, the film’s sharp emotional honesty heralds a distinct new voice from a promising young director. Hattu soon reveals that Maite’s husband Vincent is in prison for an unspecified crime, and that she has promised to wait for him and attend to his laundry (if not his conjugal needs) during his incarceration. On one of her weekly visits, Maite meets Jean, an oddly inquisitive and boldly flirtatious prison warden, and soon the two commence a joyless affair. Seemingly smitten with Maite, Jean, in a gesture of kindness to his lover, eases up on her husband behind bars; the two become pals and even engage in some homoerotic shower talk. —Robert O’Shaughnessy

FIVE DANCES, written and directed by Alan Brown, is a creatively adventurous narrative feature film set in the New York ‘downtown’ modern dance world. The story follows the rocky emotional journey of an 18-year old dancer (the amazing Ryan Steele) with talent to burn, who must choose between his responsibility to his broken family in the Midwest, and forging a life and career for himself. The film features five of New York’s most gifted dancers acting on film for the very first time, and performing the choreography of internationally acclaimed choreographer Jonah Bokaer.

A false diary on a man’s journey that, more than just disappear, he aims to be nothing, to become nothing.

When Brian Epstein set foot in the Cavern Club in November 1961 to watch The Beatles perform, he saw something no one else could – a glimmer of gold. Sharply dressed and well-spoken, Brian was hardly the most obvious radical – but being Jewish, closeted and having grown up as an outsider who had failed at pretty much everything, he was a 26-year old with something to prove and who wanted to tear up the rulebook.

An escaped convict redeems himself by becoming an auto racing champion.

A middle-aged businessman finds himself in thirst for romance adventure, and it seems that a proper partner is not far away.

The lives of four women intersect in small-town America, where each is imperfectly blazing a trail.

Mina, a young college student, has her life ripped away after her family is killed. When she finds out their murder was part of a botched kidnapping to return her to her real father—a terrorist in the middle east.

Twenty-year-old Cal returns from France to Britain after receiving news that his mother is ill. His finds his home city of Bristol facing hard economic times brought on by the global economic crisis, with poverty and crime on the rise and rioting and looting almost a nightly occurrence. It is not a warm homecoming as his sick mother remains stubbornly homophobic and wants nothing to do with the now openingly gay Cal while his battered Auntie Jane, now living in a run down council house, dulls her stagnation with welfare funded booze and disturbing attempts to sexually seduce her nephew. Navigating his way across this new landscape he meets a young student who needs his help. However his act of kindness brings him into contact with a lawless drug dealing pimp and a race against time to make peace with his mother and get out of town as quickly as possible. An intense tale of a family mired in poverty, angry and lost but still searching for love, respect and acceptance.

A feature film that tells the story of the director’s grandfather who was forced to leave Crete in the 1920s during the Greek-Turkish population exchange.