Go behind the scenes, and onto the stage, of a legendary concert to discover the story of Archie Roach and Ruby Hunter, told in song – a story that should be told to every Australian.

Shot over a three-year period with unparalleled intimacy and access, ALL THIS PANIC is a feature length documentary that takes an intimate look at the interior lives of a group of teenage girls as they come of age in Brooklyn. A potent mix of vivid portraiture and vérité, we follow the girls as they navigate the ephemeral and fleeting transition between childhood and adulthood.

Diabetes. Prostate cancer. Alcoholism. Parkinson’s diseases. Just a handful of many common illnesses that Western medicine has been inadequate in curing or treating. Witness the story of eight brave souls as they leave the developed world behind in search of deeper answers. Living in seclusion for one month in the heart of the Amazon jungle, these men and women take part in the powerful healing practices of Peru’s indigenous medicine men, working with centuries-old plant remedies and spiritual disciplines. In their most desperate hour, these patients are forced to confront not only their physical ailments, but their own spiritual and psychological barriers in the process. Five will return with real results, two will return disappointed, and one won’t come back at all.

Centuries ago, many cultures believed the Earth was a flat disc. As scientific thought and technology evolved, the Earth was revealed to be a globe, a view that’s widely accepted today—but not by everyone. The flat Earth movement has seen a recent resurgence. These conspiracy theorists deny the scientific model of the globe and join together through conventions, forums and online platforms to discuss their belief system. On the other end of the spectrum, the scientific community aims to counter this resurrected myth, resulting in an ever-growing public battle of conspiracies and anti-intellectualism. Giving a well-rounded look at all sides of the debate, Behind the Curve shows that no matter where you stand on this issue, the conversations and people around it are anything but flat.

In 1950s Alabama, the owner of the Honeydripper juke joint finds his business dropping off and against his better judgment, hires a young electric guitarist in a last ditch effort to draw crowds during harvest time.

In the Bahamas, more than 30% of dolphins have shark-bite scars. With a never-before-seen non-toxic gel bite pad and life-sized dolphin decoy, Dr. Mike Heithaus and Dr. Valeria Paz collect bite impressions from three shark species that might be the predators. Bites from bull sharks, tiger sharks and great hammerheads — up to 14 feet long — are compared to scars photographed on dolphins.

The life story of Mary Travers, a musician and singer of French Canadian music.

Jonathan Demme helms this musical documentary that shines a light on the eclectic sounds of songwriter-musician Enzo Avitabile.

Documentary about the lifelong project of Troy Hurtubise, a man who has been obsessed with researching the Canadian grizzly bear up close, ever since surviving an early encounter with such a bear. The film documents Hurtubise’s diligent work to improve his homemade “grizzly-proof” suit of armour, his efforts to test its resilience, and his forays into the Rockies to track down the grizzlies he dreams of meeting. The film manages to capture the humor of the project as well as its sincerity.

With suicide rates among active military servicemen and veterans currently on the rise, this documentary brings urgent attention to the invisible wounds of war. Drawing on personal stories of American soldiers whose lives and psyches were torn asunder by the horrors of battle and PTSD, the documentary chronicles the lingering effects of combat stress and post-traumatic stress on military personnel and their families throughout American history, from the Civil War through today’s conflicts in Iraq and Afghanistan.

The Journey of Aeneas after the Trojan War. Based on the epic poems of the Aeneid by Publius Vergilius Maro.

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic’s first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris’ performance in the decathalon and the games’ majestic closing ceremonies.