Lu has a perfect life. Or so she pretends to have. She meets the handsome, short-tempered Argentinian, Diego, who is on a visit to Mexico, and she is confident to get him head over heels in love with her. In order to win a wager with her friends, her life will take a turn when she does the impossible to win him over, including taking a trip to Argentina to look for him.

Laura (Florencia Colucci) and her father Wilson (Gustavo Alonso) arrive at a cottage off the beaten path in order to repair it since its owner (Abel Tripaldi) will soon put the house on sale. They will spend the night there in order to start the repairs the following morning. Everything seems to go on smoothly until Laura hears a sound that comes from outside and gets louder and louder in the upper floor of the house. Wilson goes up to see what is going on while she remains downstairs on her own waiting for her father to come down. The plot is based on a true story that occurred in the 1940s in a small village in Uruguay. La casa muda focuses on the last seventy eight minutes, second by second, as Laura tries to leave the house unharmed and discovers the dark secret it hides.

Fatma is around 50, a housewife with six children. She lives in Vienna but grew up in Turkey and clings stubbornly to the traditions and values of the old country. Ayse is 19, and the film begins with her wedding in rural Turkey, to Fatma’s son Hasan. However, when the family takes Ayse to Vienna this is revealed as a charade, for Ayse is to be the kuma (second wife) of Fatma’s husband Mustafa.

This gripping thriller follows Anna who moves to a remote island as the new bride of a famous mystery writer. Once there, she uncovers secrets about her new husband’s dead former wife and fears she may be the next victim.

Through the experiences of two women in Paris and London, Ghost Dance offers an analysis of the complexity of our conceptions of ghosts, memory and the past. The film focuses on the French philosopher Jacques Derrida, who observes, ‘I think cinema, when it’s not boring, is the art of letting ghosts come back.’ He also says that ‘memory is the past that has never had the form of the present.’

In the late ’60s, the self-proclaimed belles of the rock ‘n’ roll ball, rocked the worlds of every music legend whose pants they could take off — and they have the pictures to prove it. But it’s been more than two decades since the Banger Sisters earned their nickname — or even laid eyes on each other. Their reunion is the collision of two women’s worlds; one who’s living in the past, and one who’s hiding from it. Together they learn to live in the moment.

In this Dickens adaptation, orphan Pip discovers through lawyer Mr. Jaggers that a mysterious benefactor wishes to ensure that he becomes a gentleman. Reunited with his childhood patron, Miss Havisham, and his first love, the beautiful but emotionally cold Estella, he discovers that the elderly spinster has gone mad from having been left at the altar as a young woman, and has made her charge into a warped, unfeeling heartbreaker.

On India’s Independence Day, a zany mishap in a Mumbai chawl disrupts a young love story while compelling the residents to unite in aid of a little boy.

A solitary woman (Melissa Leo) earning her living by delivering mail and body piercing, makes every attempt to help her volatile adult daughter (Marin Ireland) get on her feet, and in-so-doing neglects herself, channeling all of her womanly desires into her houseplants…even when a charismatic and industrious environmentalist (Josh Hamilton) moves in with them.

Jiu Bing has been stuck in the friend zone with Bo He since he was twelve. Even though he tries everything to win her heart, he fails in crossing the line. When working as a part-time pacer, Jiu Bing meets Xia Tian. They later become internet celebrities by accident.

Three troubled young girls will do anything to escape their stifling lives – even if it means turning to drugs and prostitution. Set in the generation of smartphones and web 2.0, the technology may have made communication easier than ever, but cautionary tales of misunderstood youths remain as relevant as they were two decades ago.

The film focuses on eccentric Mame Dennis, whose madcap life is disrupted when her deceased brother’s son Patrick is entrusted to her care.