Marshall Dan Mitchell, who is the law in Abilene, has the job of keeping peace between two groups. For a long time, the town had been divided, with the cattlemen and cowboys having one end of town to themselves, while townspeople occupied the other end. Mitchell liked it this way, it made things easier for him, and kept problems from arising between the two factions. However…
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Dead West – or The Rise of the Horror Genre and the Fall of the Western. The story of a western movie actor (Johnny Dust) still trying to make it big in a western film studio and theme park, when a ‘new management team’ takes over the park and turns the film studio into a fright-fest for the month of Halloween. Haunted by the image of his dead western movie hero, who appears to him on the little screen, Johnny unravels the real intent of management and its opening night ‘spectacular’, which takes place in the depths of the park’s cave.
Winter 1839. LIBERTY, MISSOURI. Local jailer, Samuel Tillery is tasked with watching Missouri’s most wanted men as they await their upcoming hearing. Caught between the local Missourians’ increased drive to remove the prisoners, and the prisoners’ desperate efforts to survive, Tillery is pushed beyond what any lawman can endure. Based on actual recorded accounts, OUT OF LIBERTY is an intense, evocative western, with an outcome you have to see to believe.
With little luck at keeping a job in the city a New Yorker tries work in the country and eventually finds his way leading a herd of cattle to the West Coast.
In this radically reimagined American Western set towards the end of the Civil War, Southerner Augusta encounters two renegade, drunken soldiers who are on a mission of pillage and violence. After escaping an attempted assault, Augusta races back to the isolated farmhouse that she shares with her sister Louise and their female slave Mad. When the pair of soldiers track Augusta down intent on exacting revenge, the trio of women are forced to take up arms to fend off their assailants, finding ways to resourcefully defend their home––and themselves––as the escalating attacks become more unpredictable and relentless.
A prospector sells his wife and daughter to another gold miner for the rights to a gold mine. Twenty years later, the prospector is a wealthy man who owns much of the old west town named Kingdom Come. But changes are brewing and his past is coming back to haunt him. A surveyor and his crew scouts the town as a location for a new railroad line and a young woman suddenly appears in the town and is evidently the man’s daughter.
Hoyce and Bess Guthrie are long married Montana ranchers who come to a major crossroads in their lives. An oil company has offered to buy them out and Hoyce wants to sell while Bess hopes to keep the land in the family for future generations.
After a band of drunken thugs overruns a small Indian Nation town, killing Minister Goodnight and raping the women folk, Eula Goodnight enlists the aid of Marshal Cogburn to hunt them down and bring her father’s killers to justice.
Missie three years later: being a single mother after her husband Willie was shot during a poker scuffle. She and Maddy move back in with her parents Clark and Marty. She finds a new home, and finds a new teaching position that she settles right into, but Missie has lost all faith in herself, until a chance encounter at her father’s church where she adopts homeless orphan Belinda Marshall.
In the autumn of 1900, outlaw Claude Barbee puts his ‘retirement plan’ in action, attempting to lead his train-robbing gang across Texas to recover a cash stash hidden after a botched railroad heist.
Stella Davis is a widow who saves her ranch by working with convicts to rehabilitate a herd of wild horses that wandered on to her property. Stella must fight prejudice, greed, bureaucracy and vanity (including her own) to finally understand that there is no better remedy to misfortune than helping another living creature.
