Sometime in the future, mankind has depleted all energy and fuel sources, however they have engineered a way to use human excrement as fuel. To reward production, the government hands out extremely addictive, popsicle-like “Juicybars”, which in turn also act as a laxative. Aachi and Ssipak are street hoodlums who struggle to survive by trading these bars in the black market.
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Amy is a New York City executive working for Blossom, a wellness company that has been trying to launch deliverable meal prep kits. She needs to find a chef to help guide the venture and tries to woo Marcello Barone, an Italian chef. When Amy contacts him, he turns her down — Marcello got burned in the past by the New York restaurant scene and is now enjoying running a cooking school in Venice. To try and persuade him, Amy enrolls in his cooking school, which is located in a stunning Venetian palazzo. While there, Marcello introduces Amy to the slow-paced pleasures of Italy and shows her how the kits can be healthy by using fresh ingredients. But when the cooking course is over, and Amy fails to lure Marcello back to New York, will she go back or stay in Venice?
Love By Chance is a film about two aspiring actors from South Africa (Altovise Lawrence and Atandwa Kani) who are independently in America, trying to crack into an extremely difficult and over saturated Hollywood industry. They meet by chance, but between the everyday struggle of auditioning, dealing with daily rejection, self-doubt, financial hardship, crazy friends and a mad dating scene, who has time for love?
When Juli meets Bryce in the second grade, she knows it’s true love. After spending six years trying to convince Bryce the same, she’s ready to give up – until he starts to reconsider.
When a top-notched real estate broker is sent to buy out a local community playhouse, he unexpectedly falls for the owner’s daughter, forcing him to decide between the family business and true love.
Adam West and Burt Ward are taken on a crazy adventure when the Batmobile is stolen from a car museum and they must track down the thief and return it. After solving a puzzle, they realize that the clues to finding the fiend who stole the Batmobile are hidden in their past. During the search, they flashback to their three seasons in tights, including their many sexual escapades.
Simple conversations engender complicated human interactions. The first in Eric Rohmer’s Four Seasons series, Conte de printemps (A Tale In Springtime) is the story of an introverted young girl (Florence Darel) just reaching adulthood who takes a liking to an older woman she meets at a party (Anne Teyssedre) and determines to match her off with her father (Hugues Quester), despite the latter’s already having a lover of his own. There is a certain absurdity to this, apparent to both adults, who though both reluctantly attracted to each other resent Darel’s attempts at matchmaking. Nevertheless, both of them are intelligent enough to understand that there is no ‘proper’ way to meet, and are alive to the possibilities that life brings them. Darel, for her part, is a persistent catalyst. As with all Rohmer films, the stage is set, in an age of increasing impermanence and uncertainty in human relationships, for a series of minimalist reflections on love and life.
After telling the story of Flint’s last journey to young Jim Hawkins, Billy Bones has a heart attack and dies just as Jim and his friends are attacked by pirates. The gang escapes into the town where they hire out a boat and crew to find the hidden treasure, which was revealed by Bones before he died. On their voyage across the seas, they soon find out that not everyone on board can be trusted.
A female cop is gunned down and wrongly accused of using excessive force in a hostage rescue attempt. Maniac cop returns from the dead once more to seek revenge, destroying everthing and anyone that stands in his way.
A man and woman meet by chance at a romantic inn over dinner. Although both are married to others, they find themselves in the same bed the next morning questioning how this could have happened. They agree to meet on the same weekend each year. Originally a stage play, the two are seen changing, years apart, always in the same room in different scenes. Each of them always appears on schedule, but as time goes on each has some personal crisis that the other helps them through, often without both of them understanding what is going on.
Baby Girl, 30, a poet with a bachelor’s degree in arts, is anguished because of her relationship with Pirkka, a relatively smart, young man. Baby Girl’s parents, Eila and Rampe, do their best to become friends with Pirkka and his elegant mother. Through coincidence and error Eila occupies her summerhouse neighbors’ empty luxury villa. When Pirkka’s mother drops by, Eila lies that she and Rampe own the fancy house. The showing off and lying escalate when Eila’s mother and sister show up. The real owners of the house, an upper-class couple, Thomas and Monica, are driven away to Eila and Rampe’s modest cottage.
