A little sea resort on the Picardie coast, the last week of august. When handing over the keys to a rented apartment, Sylvain makes the acquaintance of two beautiful women. This is a fabulous occasion for him to escape his routine, single life in which women are a rarity, even if only for a few days. Quickly Sylvain’s new friends can’t do without him. Unfortunately, things get complicated when feelings and flirty Gilles, the local lady’s man, get mixed up in it all.
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Jacques is a writer living in Paris. He hasn’t turned 40 but already mistrusts that the best in life is yet to come. Arthur is a student living in Brittany. He reads and smiles a lot and refuses to think that everything in life might not be possible. Jacques and Arthur will like each other. Just like in a lovely dream. Just like in a sad story.
In the city of Orario, beneath an impossibly tall tower, lies the dungeon. Only adventurers who form partnerships with the gods themselves have any hope of defeating the monsters that lie within. But the dungeon is not the only place where monsters exist. Far from Orario, in the ruins of an ancient city, a new threat arises. To counter this threat, the goddess Artemis has come to Orario in search of a champion-but it’s not Ais Wallenstein (the legendary Sword Princess) nor Ottar (the strongest warrior to ever enter the dungeon) that she chooses. Rather it is Bell Cranel, a newbie adventurer partnered with a low-tier goddess.
High schooler Jason has found his dream girl—the gorgeous Anastacia. There’s just one problem: she doesn’t know he exists. If he can win a spot on the school’s hottest dance crew, Jason might have a shot. But before he does, he’ll have to overcome his battle-ax of a mother, survive Anastacia’s gangsta brother, and pass the crew’s initiation—in this fresh, sexy, and outrageously funny comedy.
No sooner has 15-year-old Lee Keegan been expelled from his private school than an apocalyptic event wipes out most of the world’s population. With his father dead and mother trapped abroad, Lee is given one instruction: go back to school. But safety and security at St. Mark’s School for Boys is in short supply. Its high walls can’t stop the local parish council from forming a militia and imposing marshal law, while inside the dorms the end of the world is having a dangerous effect on his best friend and his unrequited crush on the school nurse isn’t helping him concentrate on staying alive.
Paranoia sets in as the Black Death strikes European villagers in the 14th century.
Soviet Georgia, 1983. Preparations for Nika and Ana’s wedding are in full swing and it’s a big day for both of their elite families. For the newlyweds and their friends, however, the celebrations are in fact part of a cover-up, as they plot an audacious escape from the Soviet Union.
Deuce Bigalow goes to Amsterdam after a little accident including two irritating kids and a bunch of aggressive dolphins. There he meets up with his old friend T.J. Hicks. But a mysterious killer starts killing some of Amsterdam’s finest gigolos and T.J. is mistaken for the extremely gay murderer. Deuce must enter the gigolo industry again to find the real murderer and clear T.J.’s name.
Three separate narratives each following a love story between a foreigner and a Greek. Each story represents a different generation falling in love during a time of socioeconomic turmoil that dominates Southern Europe as a whole, only to connect as a single story in the end.
A lighthearted take on director Yasujiro Ozu’s perennial theme of the challenges of intergenerational relationships, Good Morning tells the story of two young boys who stop speaking in protest after their parents refuse to buy a television set. Ozu weaves a wealth of subtle gags through a family portrait as rich as those of his dramatic films, mocking the foibles of the adult world through the eyes of his child protagonists. Shot in stunning color and set in a suburb of Tokyo where housewives gossip about the neighbors’ new washing machine and unemployed husbands look for work as door-to-door salesmen, this charming comedy refashions Ozu’s own silent classic I Was Born, But . . . to gently satirize consumerism in postwar Japan.
It is the year 2031, as the spores of the Flower of Life spread over the remains of the SDF-1 and SDF-2, the Invid land out of Hyperspace, on a head-on collision with the Earth. They crash on the spot, quickly turning it into their massive hive, later to be called Reflex Point. In a matter of moments, the Invid take control of the devastated planet.
