A girl arrives from London to visit her estranged relatives in a remote castle for the reading of her father’s will. After a while she discovers that they are all in fact dead and her decision to live with them turns into a nightmare. Unable to leave she’s drawn into a macabre underworld through visions of nude satanic rituals and her own impending sacrifice.
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When failed comic Gus Lawton pushes his wife too far, he finds himself chasing her across the country to the abandoned farmhouse of her childhood. Given the choice between losing Deborah or living by her plan, Gus gets busy fixing up the old place. Starting with the septic tank. In a moment of desperation, he digs up the very thing he needs, a zombie who’ll do anything he wants… for now, anyway. As the zombie’s own desires threaten their plans, Gus and Deborah come together in a desperate struggle to get what they want, regardless of the cost. Zombie Dearest is a genre-bender that speaks to the “living dead” – the hunger and the horror – in all of us. It’s a wild ride that’s both smartly comic and deeply quirky.
Cannibal Taboo tells the story of Janet, a young woman raised in the wilds of Africa who is rescued by explorer Cliff Hendricks. When Cliff contracts a rare blood disease, Janet must leave her jungle ways to care for her husband and their four children. The bulk of the plot occurs when the youngest son, Paul, is about to have his twenty-first birthday. His brother Luke, a successful professor, returns for the celebration. However, things are not so simple in the Hendricks household, since fourth sibling Matthew disappeared on his twenty-first. Moreover, Paul and his sister have an incestuous relationship, and Janet is harboring a terrible secret.
A Miami cop finds out his wife has a female lover, and he begins to have an affair with his female partner. Meanwhile, a voodoo demon from Africa arrives among Miami’s Nigerian community and begins decapitating some people and possessing others–including the cop’s wife.
Four estranged friends reunite and spend the night in a remote country house that was once home to a Manson Family like cult. As the night goes on, the strange rituals in the house’s past open connections between the past, the present and the subconscious, forcing all the characters to confront their deepest secrets and darkest demons, or be destroyed by them.
A couple heads out to the woods for some time away from the city. They are confronted by a maniacal man who wants to torture them and marry the female half.
When a mysterious monster rises from the Mekong River and attacked Bueng Kan, cuts off people from the outside world. Officials and people in the area, including Chinese scientists who accidentally came to conduct research in Thailand, all forces must be mobilized to catch this crazy monster before it’s too late.
Suk-gyu is desperately looking for his runaway daughter. He spares neither money nor effort and after a while his search leads to results. One of his contacts claims to have found the girl. But joy is replaced by shock when he finds out that she works as a prostitute in the center of Seoul. Suk-gyu decides to pose as a client to get close to his daughter. But just before the long awaited and dreaded reunion, panic breaks out at nearby Seoul Station. The place is very popular with the homeless of the Korean capital. And one of them, who had died during the day, comes alive again and start attacking and eating another misfortunate. The undead cannibal epidemic spreads like wildfire. The authorities hermetically close off the city center and decide to wait out the end of the outbreak, until there’s no one left…
In this reimagining of the 2010 Mexican film of the same name, director Jim Mickle paints a gruesome portrait of an introverted family struggling to keep their macabre traditions alive, giving us something we can really sink our teeth into.
