Shakespeare’s 17th century masterpiece about the “Melancholy Dane” was given one of its best screen treatments by Soviet director Grigori Kozintsev. Kozintsev’s Elsinore was a real castle in Estonia, utilized metaphorically as the “stone prison” of the mind wherein Hamlet must confine himself in order to avenge his father’s death. Hamlet himself is portrayed (by Innokenti Smoktunovsky) as the sole sensitive intellectual in a world made up of debauchers and revellers. Several of Kozintsev directorial choices seem deliberately calculated to inflame the purists: Hamlet’s delivers his “To be or not to be” soliloquy with his back to the camera, allowing the audience to fill in its own interpretations.

A repressed middle aged man realizes that his life had become one of misery and loneliness. After becoming friends with a blind writer he had to evict from his house, he finds the inspiration and courage he needs to break all the rules he had been forced to abide by and to reconnect with life’s joy and excitement.

Lou Andreas Sand, a once famous model, recalls her past as she tries to make success in the modeling world of New York, her stressfull workdays, her affair with Mark, an advertising executive, her friendship with photographer Aaron, and her downward spiral into ruin.

Martin, an ex-Parisian well-heeled hipster passionate about Gustave Flaubert who settled into a Norman village as a baker, sees an English couple moving into a small farm nearby. Not only are the names of the new arrivals Gemma and Charles Bovery, but their behavior also seems to be inspired by Flaubert’s heroes.

Gregory Doran directs Shakespeareandapos;s epic pair of plays with a cast including Antony Sher as Sir John Falstaff, Jasper Britton as King Henry and Alex Hassell as Prince Hal.

Through previously undiscovered private letters, photos and diaries that were found in the Himmler family house in 1945, the “The Decent One” exposes a unique and at times uncomfortable access to the life and mind of the merciless “Architect of the Final Solution” Heinrich Himmler.

After twenty years of no contact with his son, Larry McCarthy pretends to be on his death bed to get Jack to return to his native Ireland from America. Upon arrival Jack is furious to find his father alive and well and even more so when he then discovers he can’t leave . Soon, Father and son are forced into dealing with a painful history . At the core of their conflict is Larry’s denial about the death of his wife, Jacks mother. The story explores the difficult and painful, but often very hilarious ways they try to communicate. Forging a begrudging peace, the reality of life sets them when Larry discloses to Jack another truth that leads to a final reconciliation.

Single mother Lotta and her younger sister Sanna are both successful in their different jobs, and are living very different lives, but are attracted to men who are their opposites.

King Lear has ruled for many years. As age begins to overtake him, he decides to divide his kingdom amongst his children, living out his days without the burden of power. Misjudging his children’s loyalty and finding himself alone in the wilderness, he is left to confront the mistakes of a life that has brought him to this point. Antony Sher plays King Lear, one of the greatest parts written by Shakespeare in this, one of Shakespeare’s most epic and powerful plays.

THE PRODIGAL BOXER features Chinese folk hero Fong Sai Yuk (aka Fong Si Yu), the subject of dozens of HK kung fu films. The role is played by Meng Fei as a callow, unschooled youth and wrongfully accused murderer. Two vicious masters of the local kung fu school, seeking revenge against Fong Sai Yuk, attack his home and kill his father while Fong is away. Fong’s attempts to avenge the death of his father result in his being badly beaten. Fong trains at the hands of his martial artist mother as she puts him through rigorous training and an herbal bath that makes him invulnerable. A trail of revenge is set in motion with Fong against the two masters, played by formidable kung fu villains Yasuaki Kurata and Wang Ching. Can a year’s worth of training prepare Fong Sai Yuk for his deadly confrontation with the vicious masters?

Bastien Grimaldy, a man driven to heightened anxiety as the plot against him begins to take effect. Bastien’s personal relationships give him enough cause for anxiety — between his new lover Laura and a feisty mother, life provides its own insecurities. When he goes to the police with his problems, Bastien is assigned an off-beat inspector to protect him but is still faced with skepticism about his dilemma.

A boy is left alone in a Jewish neighborhood in the year of 1970, where both world cup and dictatorship happen in Brazil.