Passing through a town, a farm boy aspiring to be a bounty hunter rescues a woman who has been tricked into working in its brothel and the two travel towards his father’s ranch.
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On the 3rd of October a twenty-four-year-old student from Vienna kills his lover and chops up her corpse. Her torso is found in a dumpster, other body parts and the head are missing. There is no clue about the motive of the murder. A silent chronology of the events.
A devoted young woman becomes ensnared in a web of sexuality and betrayal in Jean-Pascal Hattu’s consistently unpredictable and finely wrought character study. A vividly realistic psychosexual drama, the film’s sharp emotional honesty heralds a distinct new voice from a promising young director. Hattu soon reveals that Maite’s husband Vincent is in prison for an unspecified crime, and that she has promised to wait for him and attend to his laundry (if not his conjugal needs) during his incarceration. On one of her weekly visits, Maite meets Jean, an oddly inquisitive and boldly flirtatious prison warden, and soon the two commence a joyless affair. Seemingly smitten with Maite, Jean, in a gesture of kindness to his lover, eases up on her husband behind bars; the two become pals and even engage in some homoerotic shower talk. —Robert O’Shaughnessy
A white midwestern girl moves to Chicago, where her new boyfriend is a black teen from the South Side with a rough, semi-criminal past.
Three troubled young girls will do anything to escape their stifling lives – even if it means turning to drugs and prostitution. Set in the generation of smartphones and web 2.0, the technology may have made communication easier than ever, but cautionary tales of misunderstood youths remain as relevant as they were two decades ago.
Inspired by a true story, the film presents a TV reporter’s journalistic investigation into alleged American “flying prisons” in Romania. Through a combination of circumstances, following a mysterious File 631, Dinu (Iosif Paștina) discovers a leak from a NATO base in Romania. The news event stirs, provokes, tempts various media, top politicians, services, both internal and external, causing both hilarious and absurd dramas in a black comedy. The journalistic endeavour of the “newly” turned investigative reporter is a tough, not easy, test to preserve his professional dignity, but also his character, noting the duplicity, the moral volatility, the lack of measure of a world that relentlessly continues its course.
When Liv moves to London, she meets the mysterious Henry and his group of friends, who pull her into the enthralling world of dream-travel. She and her newfound band of dream-wanderers conduct a ritual to make their biggest dream come true, but it demands the gravest sacrifice.
The story of two sisters who grew up on the fractious Irish border. When one of them, who has been missing, finally returns home, the intense bond with her sister is re-ignited. Together they unearth their mother’s past but uncovered secrets and resentments which have been buried deep, threaten to overwhelm them.
In 1914, the Mexican revolutionary Pancho Villa invites studios to shoot his actual battles against Porfírio Diaz army to raise funds for financing guns and ammunition. The Mutual Film Corporation, through producer D.W. Griffith, interests for the proposition and sends the filmmaker Frank Thayer to negotiate a contract with Pancho Villa himself.
A promising seamstress designs dresses for a Charity Ball hoping to impress the royal guest. Though the dresses seem destined for disaster, the two still may manage to find their happily ever after.
April, who likes to write poetry, meets Senandika, a musician who has managed to steal attention with her philosophy and principles. April, seeing potential in Sena, introduces her to Sanya, her best friend’s young producer. The conflict began when April and Sena fell in love with each other, but was blocked by the blessing of April’s father, Halim.