Part memoir, part city symphony, part noir-ish B-movie adventure, the new feature from critically acclaimed film-making duo João Pedro Rodrigues and João Rui Guerra da Mata (To Die Like a Man) is a sensual, shape-shifting ode to one of the world’s most mythic, alluring and exoticized cities.

A tale of friendship between two unlikely pen pals: Mary, a lonely, eight-year-old girl living in the suburbs of Melbourne, and Max, a forty-four-year old, severely obese man living in New York. In the mid-1970’s, a homely, friendless Australian girl of 8 picks a name out of a Manhattan phone book and writes to him; she includes a chocolate bar. He writes back, with chocolate. Thus begins a 20-year correspondence. Will the two ever meet face to face?

A hilarious underworld gangster known as Munna Bhai falls comically in love with a radio host by the name of Jahnvi, who runs an elders’ home, which is taken over by an unscrupulous builder, who gets the residents kicked out ironically with the help of Munna’s sidekick, Circuit, while Munna is busy romancing Jahnvi elsewhere.

Hal King is part of the 1950s beatnik jazz scene; running with drug addicts and fast women. But after being drafted for the Korean War, he may be forced to chose between carrying his father’s political legacy, and the woman he loves.

A naïve rookie in the Mexican highway patrol must adapt in order to survive as he contends with widespread corruption, dangerous drug runners and the consequences of his often morally gray actions.

As Miya and her fiancé plan their dream wedding they are stalked by an eerie and dangerous veiled bride who is determined that Miya will never walk down the aisle.

Frankie is in her forties, ambitious and successful. She works in the aerospace industry at Filton, designing surveillance drones for the military. Shes never married, and is completely in control of every part of her life. Her closest relationship is with her father, who worked as an engineer on Concorde. But her life changes forever when she embarks on a passionate affair with Kahil, a French/Algerian aerospace student, twenty years younger than her. One day, she arrives at work and is detained by the security services: Kahil is a person of interest to MI5. Her well-ordered life starts to unravel in a welter of suspicion and prejudice, as Frankie no longer knows whether to follow her passion or listen to the doubts that increasingly overwhelm her.

Alfie Byrne is a middle-aged bus conductor in Dublin in 1963. He would appear to live a life of quiet desperation: he’s gay, but firmly closeted, and his sister is always trying to find him “the right girl”. His passion is Oscar Wilde, his hobby is putting on amateur theatre productions in the local church hall. We follow him as he struggles with temptation, friendship, disapproval, and the conservative yet oddly lyrical world of Ireland in the early 1960s.

While investigating a smugglers’ turf war in Cape Town, township cop Sizwe discovers police corruption. He must set loyalty aside to act with integrity, alone.

Ben Kinnear and Mike Paddock are two undercover detectives with way too much publicity, who find they can no longer turn a blind eye to the corruption in the police force.

As the Allied forces approach Paris in August 1944, German Colonel Von Waldheim is desperate to take all of France’s greatest paintings to Germany. He manages to secure a train to transport the valuable art works even as the chaos of retreat descends upon them. The French resistance however wants to stop them from stealing their national treasures but have received orders from London that they are not to be destroyed. The station master, Labiche, is tasked with scheduling the train and making it all happen smoothly but he is also part of a dwindling group of resistance fighters tasked with preventing the theft. He and others stage an elaborate ruse to keep the train from ever leaving French territory.

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