Simple conversations engender complicated human interactions. The first in Eric Rohmer’s Four Seasons series, Conte de printemps (A Tale In Springtime) is the story of an introverted young girl (Florence Darel) just reaching adulthood who takes a liking to an older woman she meets at a party (Anne Teyssedre) and determines to match her off with her father (Hugues Quester), despite the latter’s already having a lover of his own. There is a certain absurdity to this, apparent to both adults, who though both reluctantly attracted to each other resent Darel’s attempts at matchmaking. Nevertheless, both of them are intelligent enough to understand that there is no ‘proper’ way to meet, and are alive to the possibilities that life brings them. Darel, for her part, is a persistent catalyst. As with all Rohmer films, the stage is set, in an age of increasing impermanence and uncertainty in human relationships, for a series of minimalist reflections on love and life.
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Paul Aufiero, a 35-year-old parking-garage attendant from Staten Island, is the self-described “world’s biggest New York Giants fan”. One night, Paul and his best friend Sal spot Giants star linebacker Quantrell Bishop at a gas station and decide to follow him. At a strip club Paul cautiously decides to approach him but the chance encounter brings Paul’s world crashing down around him.
Charlie returns to the East End after two years at sea to find his house demolished and wife Maggie gone. Everyone else knows she is now shacked up with married bus driver Bert and a toddler, and they all watch with more than a little interest at the trail of mayhem Charlie leaves as he goes about sorting things out.
