George Raft plays a sailor who sets out to solve his father’s mysterious death.

Meeting in a navy recruiting line, Al Crowthers and Melvin Jones become friends. Al has tried to enlist before, but was always rejected. He keeps trying so that he can impress women. Melvin, is allergic to women’s cosmetics and his doctor prescribed ocean travel, so he decided to join the navy.

Mob assassin Jeffrey is no ordinary hired gun; the best in his business, he views his chosen profession as a calling rather than simply a job. So, when beautiful nightclub chanteuse Jennie is blinded in the crossfire of his most recent hit, Jeffrey chooses to retire after one last job to pay for his unintended victim’s sight-restoring operation. But when Jeffrey is double-crossed, he reluctantly joins forces with a rogue policeman to make things right.

A biographical documentary about Stephon Marbury and his time playing for the Chinese Basketball Association.

This is the story of Buford Pusser’s final days; not only of his life, but also as Sheriff. It seems that times are changing, and the once adoring people of Pusser’s town now fear him and feel like it’s time to make a change. There are also some officials who feel the same way and are using every means to get rid of Pusser.

The New River Gorge Bridge in West Virginia spans over the Appalachian Mountains and is the world’s fourth-largest bridge. It is also inconspicuously becoming the world’s most popular suicide bridge. An EMT and a demon hunter investigate the dark reasoning behind the unnerving compulsion that attracts people from all over the world to commit suicide off this bridge.

Three hopefuls try to earn a position as a member of the United States men’s national volleyball team. The try-outs are extremely competitive and they find very difficult to handle the unconventional and rigorous training methods developed by the team’s coach

The story of Meera, who left India and her inheritance behind and now runs her own startup. When a problem threatens her company, marriage is exactly what she needs to solve it.

In the 1960s, two classmates go looking for their missing friends and teachers, all of whom took part in an illegal book club, only to come face to face with ghosts and deformed monsters that have taken over their school.

Favoring pedigree dogs, a new regulation puts a severe tax on mixed breeds. Owners dump their dogs and shelters become overcrowded. 13-year-old Lili fights desperately to protect her pet Hagen, but her father eventually sets the dog free on the streets. Hagen and his pretty master search desperately for each other until Lili loses faith. Struggling to survive, homeless Hagen realizes that not everyone is a dog’s best friend. Hagen joins a gang of stray dogs, but is soon captured and sent to the pound. With little hope inside there, the dogs will seize an opportunity to escape and revolt against mankind. Their revenge will be merciless. Lili may be the only one who can halt this unexpected war between man and dog.

What could go wrong when pregnant drifters – Natasha and Vern – find a room for the night by invading a rural home of Martha and Bob? After accidentally killing the couple, their initial plan to stay in the house for a few days quickly changes when they find a closet full of cocaine. Seeing a way to make easy money, Natasha and Vern steal Martha and Bob’s identities and take over the drug business. However, things start to go awry when the drug kingpin’s son arrives to keep an eye on things, a nosy neighbor sees more than he should, DEA is closing in on Martha and Bob, and the real father of the baby is coming for Natasha.

A pre-Depression slice of proletarian life from Weimar Germany, Harbour Drift is unusually interesting for its indifferent pessimism, rejecting even the minor rays of hope which permeate the other low-life ‘street films’ of the period. A sordid tale of poverty and greed set within a quayside milieu of crime and prostitution, the narrative centres on the quest for a sparkling pearl necklace stolen by a beggar under the gaze of a prostitute, who persuades her unemployed friend to steal it back, with tragic consequences. The story unfolds in flashback, without irony or a hint of redemption: life simply goes on. The film is remarkable for the innovative camerawork of Friedl Behn-Grund, which manipulates light and shadow to create a nightmarish atmosphere of fear and premonition.