Desperate for her three single sons to get married, a mother promises her house to the first one to tie the knot, setting off a race to the altar.
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Nursing a piglet back to life because it’s the runt of the litter earns Emil a friend for life.
When Sheriff Roy Pulsipher finds himself in the afterlife, he joins a special police force and returns to Earth to save humanity from the undead.
Based on the successful 1956 Broadway production of the same name by Betty Comden, Adolph Green, and Jule Styne, the film focuses on Ella Peterson, who works in the basement office of Susanswerphone, a telephone answering service. Peterson, based on Mary Printz, who worked at Green’s service, listens in on others’ lives and adds some interest to her own humdrum existence by adopting different identities for her clients. They include an out-of-work Method actor, a dentist with musical yearnings, and in particular playwright Jeffrey Moss, who is suffering from writer’s block and desperately needs a muse.
Albert Einstein helps a young man who’s in love with Einstein’s niece to catch her attention by pretending temporarily to be a great physicist.
Following the hugely successful Agatha Christie-inspired whodunnits Murder on the Blackpool Express and Death on the Tyne, unlikely super-sleuths Johnny Vegas and Sian Gibson return with a killer group of comedy greats in the latest Draper’s Tours outing, once again written by Jason Cook. Terry (Vegas) and Gemma (Gibson) are forced to take refuge in a sinister and dilapidated caravan park after their coach breaks down. During the unplanned stay, visitors and residents begin to be bumped off one by one under grizzly circumstances. The all-star cast includes Sally Lindsay, Phil Davis, Mike Wozniak, Joanna Page, Jason Donovan and Annette Crosbie.
Ruby is a thirty and flirty (but definitely not thriving) New Yorker whose life is transferred to the Hamptons right after a chance meeting with a wealthy consignment store owner.
Noah and Madison are artists who want to change the world, and they begin their marriage as most couples do – full of hope and idealism, sure that their love will solve all their problems. But marriage isn’t all about the great times people post on social media. It’s also about the arguments over petty stuff, and the arguments over big stuff, and the longstanding resentments that no one wants to even bring up. Seven Short Films About (Our) Marriage tells a story of raw authenticity in seven episodes spanning fourteen years of their marriage as they reckon with racism, career challenges, medical issues, and more.
Forty-nine days after George’s death his wife, Alicia, calls friends who wanted to read over the letter that he left before he died. It is a very affectionate and moving letter, which addresses each of those present, knowing that his death is near. Little do they know that they are part of a ritual prepared by Alicia, with the connivance of Santiago, the closest friend of George, to bring him back to life – and that ritual, full of ghostly apparitions, traumatic and terrifying, will be gaining further life from each of the guests. The surprising twists in the plot will lead up to the most unexpected of endings.
A young woman finds her entire world shaken up when an old flame walks back into her life after being released from prison and refuses to let her go.
Danger Death Ray, the funniest of the cheesy spy films that MST had fun with. Former Tarzan Gordon Scott sucks in his gut for this one. Professor Carmichael has developed a death ray “for peaceful purposes only” but a vague group of bad guys want it instead, so he’s kidnapped by doughy guys and taken to their toy sub (via a toy helicopter)Bart Fargo must rescue him cause he’s the only American spy who looks good in womanly sunglasses. Cool music accompanies him as he searches for Carmichael while he must deal with evil Abe Lincolns, a fey bad guy tuned friend of Fargo’s and a couple of women who he must sleep with. In the end the ineffective bad guy gets killed, the professor and the death ray get rescued and Bart gets the woman. There’s also a complex scene with a watch thrown in a pool which symbolizes the amount of time that was wasted on smart screen writing for the movie.
An unconventional thinker (Shah Rukh Khan) helps a budding cinematographer (Alia Bhatt) gain a new perspective on life.
