Vural, a husband and a father who was raised in faith, leads a seemingly pious and conformist life. But everything takes a sudden dark turn when he finds out a truth about his personal life.

Ian Folivor, a depressed and reclusive 30-something, finds himself taking advice from a growth in his bathroom after a failed suicide attempt. The Mold, a smooth talking fungus who was born of the filth collecting in a corner of Ian’s neglected bathroom, works to win Ian’s trust by helping him clean himself up and remodel his lifestyle. With The Mold’s help, Ian attracts the attention of a neighbor he’s been ogling through his peephole, Leah, and he manages to find a slice of happiness despite his unnatural circumstances. But Ian starts to receive strange messages from his old and broken down TV set that make him realize that The Mold may not be as helpful as it seems to be, and strange characters combined with stranger events cast Ian’s life in the shadow of an epic battle between good and evil that Ian is only partially aware of.

Lilo, Stitch, Jumba and Pleakley have finally caught all of Jumba’s genetic experiments and found the one true place where each of them belongs. Stitch, Jumba and Pleakley are offered positions in the Galactic Alliance, turning them down so they can stay on Earth with Lilo. But Lilo realizes her alien friends have places where they belong, and it’s finally time to say “aloha.”

The NCAA is the face for college athletics, and it generates billions of dollars every year for the top universities in the United States. This is the first documentary that challenges the NCAA from the perspective of former student-athletes. Director Bob DeMars, a former USC football player, interviewed former student-athletes to find the problems and potential solutions regarding players’ rights.

For three high school friends, growing up takes a dangerous turn when the local bully targets them with his aggression. With no one to turn to but each other, they muster the courage to take a shot at settling the score.

As a serial killer stalks the city, Julia — a young actress who just moved to town with her husband — notices a mysterious stranger watching her from across the street.

Soni, a young policewoman in Delhi, and her superintendent, Kalpana, have collectively taken on a growing crisis of violent crimes against women. However, their alliance suffers a major setback when Soni is transferred out for alleged misconduct on duty.

A few days before Christmas, having quit his job in Germany, Matthias returns to his Transylvanian village. He wishes to involve himself more in the education of his son, Rudi, left for too long in the care of his mother, Ana, and to rid him of the unresolved fears that have gripped him. He’s also eager to see his ex-lover Csilla and preoccupied about his old father, Otto. When a few new workers are hired at the small factory that Csilla manages, the peace of the community is disturbed, underlying fears grip the adults, and frustrations, conflicts and passions erupt through the thin sliver of apparent understanding and calm.

Nina is a young, carefree actress who arrives in Paris searching for her big break. There, she finds drama both on- and offstage as she becomes involved with three men: a mild-mannered real-estate agent who offers her stability, a bad-boy actor who lives dangerously on the edge, and an intense theater director who casts her in a production of “Romeo and Juliet.” As opening night approaches, the emotional extremes of Nina’s love life fuel her art.

A few hours in Paris, one summer evening in 2020. The camera follows one passer-by then the other, traveling through the streets of the city and multiplying curious encounters: eccentric young people, original characters and nonconformists. During a single uninterrupted shot, the camera links the characters together through the same city, and the same time in crisis that each one goes through and questions in their own way.

As Michelle’s wedding approaches, Hannah steps up to help finish the launch of the new Evergreen museum while questioning her relationship and future with Elliot.

This is the second part of a projected three-part epic biopic of Russian Czar Ivan Grozny, undertaken by Soviet film-maker Sergei Eisenstein at the behest of Josef Stalin. Production of the epic was stopped before the third part could be filmed, due to producer dissatisfaction with Eisenstein’s introducing forbidden experimental filming techniques into the material, more evident in this part than the first part. As it was, this second part was banned from showings until after the deaths of both Eisenstein and Stalin, and a change of attitude by the subsequent heads of the Soviet government. In this part, as Ivan the Terrible attempts to consolidate his power by establishing a personal army, his political rivals, the Russian boyars, plot to assassinate him.