Caleb, a former government assassin in hiding, who resurfaces when his protégé, the equally deadly killer known as Banshee, discovers a bounty has been placed on Caleb’s head.

A seasoned detective teams up with a novice cop to solve the mysterious murder of a world-class bone marrow transplant specialist.

A young Aji Mathew is a communist who goes the whole nine yards for the ideologies he believes in. When the girl he loves leaves to the US out of the blue and her parents fix her wedding, Aji is left with just a fortnight to reach the country albeit with no passport or visa. How far he is willing to go for love forms the plot.

A bank robber tries to turn himself in because he’s falling in love and wants to live an honest life…but when he realizes the Feds are more corrupt than him, he must fight back to clear his name.

The life you love may be your own…. The wife of a much older man finds herself attracted to their neighbour’s son, who is closer to her age.

Extremely shy Lars finds it impossible to make friends or socialize. His brother and sister-in-law worry about him, so when he announces that he has a girlfriend he met on the Internet, they are overjoyed. But Lars’ new lady is a life-size plastic woman. On the advice of a doctor, his family and the rest of the community go along with his delusion.

Otto and Ana are kids when they meet each other. Their names are palindromes. They meet by chance, people are related by chance. A story of circular lives, with circular names, and a circular place where the day never ends in the midnight sun. There are things that never end, and Love is one of them.

The Flying Scotsman is a 1929 black and white film set on the Flying Scotsman train from London to Edinburgh. Engine driver Bob is due to retire from his job after years of distinguished service. On his second to last day he reports Crow, a disgruntled fireman for drinking at work, leading to his dismissal. The sacked man decides to get his revenge, vowing to kill Bob on his final run. Meanwhile, Crow’s young replacement has fallen in love with a beautiful girl, whose father, unbeknown to him, happens to be Bob (and who has also boarded the train in an attempt to stop the villain).

In an undefined future, the earth has been destroyed by man, and the air polluted with a mysterious virus that turns humans into zombies. Only a few children are immune to the disease and have adapted to these extreme conditions and survived. Camille, a nine year old girl wanders through these desolate wastelands, protecting herself from zombies and the armed military forces that roam the land killing anyone who might be infected. However, the little girl will find other kids like her that share a recurring dream of: they all have visions of the ocean as their destiny. Together they will try to survive the journey to the ocean in search of an escape from the military who seem to be as determined on their destruction as on the zombies. Written by David Pollison/Solos Website

Yasuo (Hiroshi Abe) grew up as an orphan. He married a woman he loved and they had a son Akira (later played by Takumi Kitamura). Yasuo’s life seemed great at the time, but his life totally changed after his wife died in accident. Since that time, Yasuo, who never experienced parents’ love himself, has to raise his son Akira alone.

Wind From the East is a product of Jean-Luc Godard’s involvement, during the late 60s and early 70s, with a collective filmmaking experiment known as the Dziga Vertov Group. The film is, typically of the films he made during this period, about ideas and simultaneously about how best to express those ideas through the medium of film. The film deals with the situation of a strike and, during its first half, methodically analyzes the different components of the strike: the workers, the radical students who encourage the strike while not quite being able to communicate in the same terms as the workers, the union delegates and other middlemen who preach moderation and compromise, the employers who demand the immediate resumption of work, the police state that suppresses the strike on behalf of capitalism.

In 1877, in a watch factory in a valley in north-western Switzerland, Josephine produces balance spindles, tiny parts that ensure the agitation movement (“unrueh”) of the mechanical watches. She soon grows uneasy with the organisation of work and possession in the village and its factory and joins the anarchist worker movement of the local watchmakers. There she meets Piotr Kropotkin, a moony Russian traveller. The two of them meet at a time when new technologies such as time measurement, photography and the telegraph are transforming the social order and anarchist discourse is addressing emerging nationalism. During a walk in the woods, Josephine and Piotr ask themselves whether time, money and the government are not all but fictions.