When an ex-CIA agent discovers his family have been kidnapped he sets out to rescue them, only to discover they are being held hostage and won’t be released unless he carries out a mission to assassinate the President. He must use his advanced skills to outwit the men holding his family and prevent the assassination from going ahead before the clock runs out for his family.

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Aishah (Diana Danielle) is a young woman living during the Japanese Occupation of Malaya, who, after being knocked unconscious while escaping from the clutches of the Japanese Army, wakes up in a quiet, sleepy village, seemingly untouched by the war. The villagers give her shelter and she begins a new life there. But soon it becomes clear that the village hides other secrets as well. Aishah is haunted by the presence of a young deformed girl whom no one else can see and she discovers that an unknown evil lurks in the surrounding woods nearby the village, an ancient creature that makes the villagers its prey, a demon known only as Azazil. The villagers keep an uneasy peace with the demon through offerings but the moment Aishah enters the village, the attacks inexplicably begin again.

A young couple is terrorized by the former owner of the home they now occupy. Instead of a honeymoon, life becomes a cat and mouse game for these newlyweds as they try to survive being hunted by a man who knows every inch of the residence better than they do; and who has nothing left to lose.

Agent Jackie is hired to find WWII Nazi gold hidden in the Sahara desert. He teams up with three bungling women (the 3 stooges?) who are all connected in some way. However a team of mercenaries have ideas on the ownership of the gold. A battle / chase ensues as to who gets there first. Lots of choreographed Kung-Fu and quirky Chan humor.

In Red Canyon, Regina and Devon return to their family home in the badlands of Utah to face the memory of a brutal attack – and put it behind them. But in coming home they awaken a killing rage in a town where everyone has ties that bind.

REPARATION is a powerful psychological thriller that swirls like a funnel cloud around Bob Stevens — a small-town farmer with a three-year hole in his memory. When a mysterious stranger, Jerome, shows up claiming to have been his best friend in the Air Force Police, Bob’s peaceful existence begins to unravel from the outside in. Bob’s entire family is caught in the storm — but none more than Bob’s eight year-old daughter, Charlotte, who discovers that she might hold the key to conjuring Bob’s forgotten past. As Charlotte comes to learn, “every time something happens that knocks us out of balance, we try doing something that will knock us back in…” That universal theme of balance is the soul of REPARATION.

After the mysterious murder of her abusive husband, a troubled widow moves into her late grandmother’s lake house, but upon discovering her husband’s past and hidden fortune, she must risk her life to get back what is hers.

A decent but troubled young man is sent to a psychiatric institution for the criminally insane and soon finds himself in a fight for his life battling ghosts inside his head and very real enemies all around him.

When a depressed woman is burglarized, she finds a new sense of purpose by tracking down the thieves alongside her obnoxious neighbor. But they soon find themselves dangerously out of their depth against a pack of degenerate criminals.

Hotshot gambler Jake Green (Jason Statham) is long on bravado and seriously short of common sense. Rarely is he allowed in any casino because he’s a bona fide winner and, in fact, has taken so much money over the years that he’s the sole client of his accountant elder brother, Billy. Invited to a private game, Jake is in fear of losing his life.

An MP’s son-in-law and mayoral candidate takes a trip with his girlfriend to a vacation home and meets a mysterious neighborhood boy and his friends.