Satoshi loses his eyesight completely at the age of 9 despite numerous surgeries, but grows up with cheerful spirit thanks to his mother Reiko’s unconditional love. Surrounded by affection and friendship at high school, Satoshi’s future seems bright until one day his family realizes that he is losing his hearing as well. Determined to never give up, Reiko tries everything she can to give him hope.
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Hayley is an interior designer who plans to surprise her recently widowed mother Patricia with the perfect holiday present: the extended family she knows her mom yearns for.
Realistic story of working class Yorkshire life. Two schoolgirls have a sexual fling with a married man. Serious and light-hearted by turns. Rita, Sue And Bob Too was adapted by Andrea Dunbar from two of her own controversial plays. Rita (Siobhan Finneran) and Sue (Michelle Holmes) are two teenagers living on a run-down council estate in Bradford who both share a job babysitting for Bob (George Costigan) and Michelle’s (Lesley Sharp) children. Whilst giving them a lift home one night, Bob decides to take Rita and Sue up to a deserted, country-side landscape. Clearly knowing what he has in mind, Rita and Sue are only too happy to oblige and both have a sexual encounter with him that becomes a regular occurrence. Despite the blatant politically-incorrect nature of the film, this does emerge as a somewhat controversial, though enduringly amusing film that has a sharp, gritty undertone.
An unmarried 40-year-old woman turns to a turkey baster in order to become pregnant. Seven years later, she reunites with her best friend, who has been living with a secret: he replaced her preferred sperm sample with his own.
After a long night with his old war buddies, Andres Lapeteus regains consciousness in the hospital. How has confusion, bewilderment and alienation developed between these men who once fought together side by side? Is this the inevitable result of the Stalinist regime, the influence of his social climber wife, or the effect of his personal cowardliness and conformism? What happened to Andres Lapeteus?
From its sell-out run at Manchester’s Royal Exchange Theatre comes a film version of this unique and critically acclaimed production of Hamlet with BAFTA-nominee Maxine Peake in the title role. This ground-breaking stage production, directed by Sarah Frankcom, was the Royal Exchange’s fastest-selling show in a decade.
The film is a Kafkaesque tale of an insignificant Water Inspector who arrives at a giant remote building in order to register the residents’ water meters. Before he knows of it, he finds himself trapped inside the building facing an “Alice in NO-Wonderland”-like maze of obstacles. In his attempt to escape, perception of reality, the rational, and the remnants of his human existence is turned upside down.
Dublin teenagers Matthew, nihilistic Rez, and the deranged Kearney, leave school to a social vacuum of drinking and drugs, falling into shocking acts of transgression.
When a vengeful, mentally ill stepsister blackmails three successful women – they commit a horrific act to protect the secret of how they gained their fame and fortunes.
Lovely Singh (Salman Khan) is the bodyguard of Sartaj Rana’s (Raj Babbar) daughter Divya Rana (Kareena Kapoor). He is very devoted to his duties but irritates her all the time by following her everywhere. Consequently, Divya and her friend (Hazel Keech) call Lovely and start a prank love affair. Lovely starts loving the mystery person but doesn’t realizes that it is Divya (who also falls in love with him) who was behind all of this. Sartaj Rana (Raj Babbar) suspects him and Divya to be in love and sends criminals to kill him in case his lover turns out to be Divya. Sensing this, Divya sends her friend to Lovely to tell him her true identity. In a twist, it is revealed that the friend is also in love with Lovely. She falsely accepts that she is her strange lover. They marry and have a child. She dies early and reveals to her son about her fraud and asks him to unite Lovely and Divya.
