When estranged siblings Lindsay and Brad travel to Scotland at Christmas to reunite with their mother Jo, a big family secret is revealed.
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To get a big promotion, Hayley, an advertising executive who specializes in social media and all things hip, must land a toy company that is all about traditional Christmas as an account.
Aravind Krishna doesn’t know what he wants from life and is indecisive when faced with numerous choices. While his parents help him take small decisions in life, will he be able to decide on matters related to love?
Hollywood, 1927: As silent movie star George Valentin wonders if the arrival of talking pictures will cause him to fade into oblivion, he sparks with Peppy Miller, a young dancer set for a big break.
A panicked young woman and her two best friends fly to Mexico to delete a ranting email she sent to her new boyfriend. On arrival, they run into her former beau, who soon gets caught up in their frantic scheme.
High school sweethearts Maddie and Nate reconnect when Nate returns to their hometown to lecture at the hospital. Still hurt from their breakup, Maddie tries to avoid him. However, they eventually form a friendship, and Nate helps her as she secures funding to expand her cupcake shop. Just as Maddie and Nate rekindle their romance, Nate learns that a career opportunity awaits him in Boston. Devastated, Maddie returns the promise ring he gave her long ago and prepares for the grand reopening of her shop. Nate soon realizes how much he left behind, and must decide if his future lies in Boston with work or in his hometown with Maddie.
Jessica, a young, up-and-coming filmmaker in Hollywood has made a name for herself directing Christmas movies. But when handsome network executive Christopher shows up threatening to halt production on her latest movie, Jessica’s assistant, Reena, points out the irony: Jessica isn’t just trying to save her Christmas movie, she’s actually living in one. Jessica must now juggle all the classic tropes—her actors falling in and out of love, a wayward elf dog, and her own stirring romantic feelings for her perceived nemesis—in order to get her movie and her life to their happy endings.
For his fourth full feature, Toyoshi Toyoda has abandoned the theme of the angry young man, examined in depth in Pornostar, Blue Spring and 9 Souls. Kuchu Teien is, on the face of it, more a drama, a character study, than a typical Toyoda genre flick. Yet within this beautifully structured and photographed film, there lies a dark soul. Ostensibly the story of a happy family, it becomes increasingly clear as the movie progresses that the Kyobashis are anything but. Despite a family agreement that they are all open with each other, the entire household knows the opposite is true.
Back from a professional trip to Paris, a neurologist at the pinnacle of his career has to pick up his wife so that they can attend a family meal to commemorate his father, who died a year before. At his mother’s flat, the guests are waiting for the priest to arrive while arguing about all kinds of things connected and unconnected with the world’s events and wars.
Paul and Agnes have been going out for quite a while and Agnes is shocked to learn that he’d rather live with two roommates on campus than move in with her. As soon as he meets one of his roommates, Louis-Anault, Paul’s behavior changes – he is attracted to Louis without realizing so himself. Agnes, on the other hand, gets quite jealous and offers a bet: Whoever gets to have Louis-Anault first, wins… If she does, Paul will no longer explore his homosexual desires, if he does – she’ll walk away. Meanwhile, Paul meets Mecir, a young Arab worker, who shows him there’s more to life than elite colleges…