Giving fans unprecedented access to the real life of the music sensation, Katy Perry: Part of Me exposes the hard work, dedication and phenomenal talent of a girl who remained true to herself and her vision in order to achieve her dreams. Featuring rare behind-the-scenes interviews, personal moments between Katy and her friends, and all-access footage of rehearsals, choreography, Katy’s signature style and more, Katy Perry: Part of Me reveals the singer’s unwavering belief that if you can be yourself, then you can be anything.

How would you feel about carrying your home in your pocket or having clothes to live in? For most of us, “house” means stability, structure, and permanence. In an age of increasing population and technological gains, today’s mobile society has resulted in a demand, or perhaps a dream, for portable dwellings and dwellings in new settings and situations.
Microtopia explores how architects, artists and ordinary problem-solvers are pushing the limits to find answers to their dreams of portability, flexibility – and of creating independence from “the grid”. Modern nomads, homeless people, people in stress, people in need of privacy or seclusion. We hear about the personal reasons behind the dwellings, and to see how they actually work. On the sidewalk, on rooftops, in industrial landscapes and in nature we will see and feel how these abodes meet the dreams set up by their creators. Microtopia deals with a contemporary urgent ideas that are addressed, and solved, in a very surprising way.

Redemption is a documentary about New York City’s canners – the men and women who survive by redeeming bottles and cans they collect from curbs, garbage cans and apartment complexes. You’ve seen them combing through the trash, but never got to meet them. The film is an unexpected and intimate look at post-industrial gleaners, struggling at the edge of our society.

Rattled by the prospect of becoming a dad, a 40-year-old filmmaker begins to consider what “manhood” really means for him, prompting him to pursue an array of interests and reexamine his views — which were shaped by his father.

The sun heats up the scene, adding to the sultriness of the atmosphere. The surf provides that touch of paradise.

Beautifully filmed by New Zealand nature photographer Richard Sidey over the past decade around the polar regions, Speechless: The Polar Realm is a visual meditation of light, life, loss and wonder at the ends of the globe. This is the second film in Sidey’s non-verbal trilogy which is comprised of: – Landscapes at the World’s Ends (2010) – Speechless: The Polar Realm (2015) – Elementa (2020)

A documentary of the first successful expedition to the summit of Mount Everest. New Zealand’s Edmund Hillary and Sherpa Tenzing Norgay climb Mount Everest in 1953.

In 1972, a seemingly typical shoestring budget pornographic film was made in a Florida hotel, “Deep Throat,” starring Linda Lovelace. This film would surpass the wildest expectation of everyone involved to become one of the most successful independent films of all time. It caught the public imagination which met the spirit of the times, even as the self appointed guardians of public morality struggled to suppress it, and created, for a brief moment, a possible future where sexuality in film had a bold artistic potential. This film covers the story of the making of this controversial film, its stunning success, its hysterical opposition along with its dark side of mob influence and allegations of the on set mistreatment of the film’s star.

Five days in the life of fabled Greenwich Village guitar store Carmine Street Guitars.

Famed Penthouse photographer Earl Miller has traveled across the seas to find some of the most erotic and enticing models Europe has to offer.

Raging Grannies is a touching and thought-provoking documentary that challenges the idea that we must continue to shop, consume, amass, and keep the economy growing.

Film about art forger Elmyr de Hory. He was also one of the subjects of Orson Welles’ documentary F for Fake (1974). A Norwegian production directed by Knut W. Jorfald, spoken in English.