The film is made up of futuristic, high concept stories about artificial intelligence. Whether it’s love found in time of over-population or exploration of the unknown and space-travel, “A.I. Tales” has a bit of something for every fan of the genre. Altogether, these stories provide a one-of-a-kind experience and a unique view of the near future.
You May Also Like
In this attempted remake of the classic 50s SF tale, a boy tries to stop an invasion of his town by aliens who take over the the minds of his parents, his least-liked schoolteacher and other townspeople. With the aid of the school nurse the boy enlists the aid of the U.S. Marines.
Archie Grey Owl is a trapper in Canada in the early 1930s when a young Iroquois woman from town asks him to teach her Indian ways. They live in the woods, where she is appalled at how trapped animals die. She adopts two orphaned beaver kits and helps Archie see his way to stop trapping. Instead, he works as a guide, a naturalist writer, and then the Canadian government hires him to save the beaver in a conserve by Lake Ajawaan in Prince Albert National Park. He writes a biography, which brings him attention in Canada and invitations to lecture in England. Before he leaves, he and Anahareo (Pony) marry. In England, his secret is revealed. Will Anahareo continue to love him?
Enraged at the slaughter of Murron, his new bride and childhood love, Scottish warrior William Wallace slays a platoon of the local English lord’s soldiers. This leads the village to revolt and, eventually, the entire country to rise up against English rule.
The story centers on a group of gossipy, high-society women who spend their days at the beauty salon and haunting fashion shows. The sweet, happily-wedded Mary Haines finds her marriage in trouble when shop girl Crystal Allen gets her hooks into Mary’s man.
Mercenary James Shannon, on a reconnaissance job to the African nation of Zangaro, is tortured and deported. He returns to lead a coup.
Entirely shot on green screen, Shakespeare’s Macbeth has been reinvented by director Kit Monkman (The Knife That Killed Me) in an exciting new film adaptation. Starring Mark Rowley, (The Last Kingdom, Luther). Monkman’s unique adaptation successfully bridges the gap between theatre and film to create a wholly new type of imaginative space. This radical new adaptation puts the audience’s engagement with the story centre-stage, amplifying the theatrical context of the original and creating truly innovative and thrilling cinematic vistas, whilst maintaining the language and themes of Shakespeare’s original play. Using background matte painting and computer modelling to generate the world in which the action plays out, the green screen allows Monkman to create his vision of a multi-tiered globe in which the characters play out their various fates.
In postwar Japan, a new terror rises. Will the devastated people be able to survive… let alone fight back?
In Cambria, California, Anna is hosting a New Year’s Eve party. Nina, a long-gone high school friend, makes an appearance at the party after returning to Cambria from New York. Maria, one of the guests, struggles with the feelings Nina’s presence evokes and with facing the party goers: a gaggle of eccentric millennials.
Four estranged friends reunite and spend the night in a remote country house that was once home to a Manson Family like cult. As the night goes on, the strange rituals in the house’s past open connections between the past, the present and the subconscious, forcing all the characters to confront their deepest secrets and darkest demons, or be destroyed by them.