CJ is a sexy, cold-blooded assassin who wants to quit the business. She agrees to carry out one last hit, but for the first time in her career as an assassin, she is unable to finish the job.

A wife seeks the help of a young woman to find out if her husband is having an affair. The plot thickens when the young woman falls for the husband instead

Kionna has taken full control of her dead boyfriend’s drug empire. She has taken the throne to become the official Queen of the Trap House. However, a new man steps into her life causing her to shift focus away from the criminal enterprise. Kionna also begins dealing with new enemies from rival drug gangs to law enforcement. She will now need to maintain control of her personal life as well as her life of crime. Things soon spiral out of control and her empire begins to crumble. Kionna will now need to show everyone what a true Queen does to maintain power.

When Sarpatta Parambarai is challenged to a do-or-die match, Kabilan, a young labourer, must choose whether to put on the gloves himself and lead his clan to victory, or be dissuaded by his disapproving mother and dangerous politics.

A night. Dozens of stories. A city. Lică, a taxi driver, is an all knowing guy, while Liviu, his friend, also a taxi driver keeps a lot to himself. They are completely different and their ideas about life and people only meet when they are eating and drinking at the bar. They are frustrated with their jobs. For Lică money is the most important thing, while Liviu thinks that a happy and fulfilling life represents more. They are trying to rediscover who they are and what they can do with their life, all while being on an on going adventure on the streets of Bucharest where they cross paths with all kinds of clients who end up having an impact on their lives, for better and also for worse.

A true sports story that utterly defies the odds, Duguay’s film captures the wild ups and downs of the Olympics-bound career of legendary equine star Jappeloup and his troubled rider, locked in a tense relationship with his horseman father and forever uncertain of his own skills as an equestrian

Aaron Walker returns back to his old estate upon hearing about the death of his younger brother Tom who died from a drugs overdose. Aaron is forced to visit his old ways and delves into a life of crime, he soon uncovers some dark secrets about his past which come back to haunt him.

Hsiao Hu has been secretly training in martial arts, as his father (Tien Feng) has forbidden him. Later, some local store owners ask Ah to help protect them from a greedy Chinese extortion ring. Ah discovers that the crime lord behind the extortion had killed his father years before and is determined for revenge.

A story is about young teenage girl, with sister and brothers, a pleasant uncle and aunt, an annoying nanny, a young boy interested in kissing her, a close relationship with the imaginary addressee of her daily diary and her parents’ disintegrating marriage – all this in a rented house in a summer resort.

Carla is pregnant and naked, imitating the poses her mother took when she was pregnant with her. Sunlight filters through the windows. You see pictures in Super-8 of mothers and fathers, grandmothers and grandfathers, smiling, sewing, reciting poems. Then, a young girl travels from the Sixties to the Eighties, until today, crossing the thresholds of femininity and history, until the meeting with Carla by the Blue Sea of Catalonia and with Manel, Carla’s newborn son.

Silent film master D.W. Griffith’s first talkie works as a companion piece to his classic BIRTH OF A NATION, providing a detailed biographical sketch of the 16th president. We see his birth in a log cabin, the tragic death of his first love, Ann Rutledge (Una Merkel), his debates with Douglas, his accepting of the presidency, the terrible toll of the Civil War, and finally the tragic assassination at Ford’s Theater. Griffith shows his usual meticulous attention to period detail, and the framing of the various vignettes has the feel of historical photographs come to life. Walter Huston is excellent in the title role, with a portrayal that subtly evolves from laconic, wizened rascal to noble elder statesman. This is a fascinating, worthy film, and an interesting historical document in and of itself.

A southern aristocrat clashes with a driver transporting stolen slaves to freedom.