Business executive Jazmin Carter is known for two things: turning fledgling businesses into profit producers and avoiding Christmas in Harlem, the neighborhood where she grew up.
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This day-in-the-life cult comedy focuses on a group of friends working at Sully Boyar’s Car Wash in the Los Angeles ghetto. The team meets dozens of eccentric customers — including a smooth-talking preacher, a wacky cab driver and an ex-convict — while cracking politically incorrect jokes to a constant soundtrack of disco and funk. Some of the workers find romance as the day moves along, but most are just happy to get through another shift.
The breath-taking story of a man who nearly would have changed the world. 1939, when Hitler tricked millions of people at the height of his power, one said a radical No: Georg Elser, disparaged as an assassin, is one of the greatest resistance fighters.
An ex-marine with PTSD storms into a gallery, taking hostages and forcing them to confront their complex past and looming mortality, as time ticks by.
The story of Alhaja Eniola Salami, a businesswoman and philanthropist with a checkered past and a promising political future. As her political ambitions see her outgrowing the underworld connections responsible for her considerable wealth, she’s drawn into a power struggle that threatens everything she holds dear.
The fictional Father Ángel de la Cruz is based on Legion of Christ
founder Marcial Maciel, whose long history of child abuse was not
addressed until 2006 and only publicly acknowledged in 2009.
But director Luis Urquiza chooses to structure his film through the
largely uncomprehending, wondering eyes of 13-year-old Julián, who
travels from the arms of his loving pastoral family into the austere,
hallowed halls of the seminary. Singling out the boy as his intimate
disciple, installing him in his palatial private quarters and redubbing
him “Sacramento Santos,” Father Ángel begins Julian’s instruction
into the mysteries of “perfect obedience,” whose cardinal rule is:
Never question a superior’s actions.
Eddy and Stuart share two-thirds of a dormitory suite. Due to bureaucratic error, a woman named Alex is added to their room. At first, relations among the three are tense. Soon, however, Alex falls for Eddy, and Stuart lusts after Alex.
A young woman doctor discovers something sinister going on in her hospital. Relatively healthy patients are having ‘complications’ during simple operations and ending up in comas. The patients are then shipped off to an institute that looks after them. The young doctor suspects there is more to this than meets the eye.
“In re-viewing our Super 8 films, shot between 1972 and 1981, it occurred to me that they comprised not only a family archive but a testimony to the pastimes, lifestyle and aspirations of a social class in the decade after 1968. I wanted to incorporate these silent images into a story which combined the intimate with the social and with history, to convey the taste and colour of those years.” Annie Ernaux
World War I has left golfer Rannulph Junuh a poker-playing alcoholic, his perfect swing gone. Now, however, he needs to get it back to play in a tournament to save the financially ravaged golf course of a long-ago sweetheart. Help arrives in the form of mysterious caddy Bagger Vance.
When Holly returns home for Christmas expecting the same as any other year, she’s blindsided to learn her family’s department store is on the brink of foreclosure. To keep the business going, Holly fills in as Santa’s Helper and meets the surprisingly young and handsome Nick, who has been hired to play Santa at the store this year. Their undeniable chemistry and charisma draw in big crowds, until suddenly, Nick disappears. As Christmas day inches closer, Holly scrambles to find Nick with only one clue – his misplaced black boot.
A film inspired by the life and work of Nelly Arcan. The portrait of a fragmented woman, lost between irreconcilable identities: writer, lover, call girl and star. Several women in one, navigating between great exaltation and great disenchantment. A film mirror of a violent life and a radical work; a tribute to a dense writing, chilling and necessary.