A man who has a talking mule gets a job on a newspaper, and both get mixed up in a murder trial.

Six twenty-something friends are spending New Year’s Eve at a summer house at the river. The host, Nicolas (writer and director Martin Piroyansky, XXY), brings his ex-girlfriend Pilar (Inés Efron, Empty Nest, XXY) with whom he just had a one-night stand. But, Nicolas hits on every other girl including the brooding Cata (Vera Spinetta) and the voluptuous Belén (Justina Bustos). When Nicolas unexpectedly falls into bed and then into love with the high-strung Manuela (Violeta Urtizberea) who also happens to be his best friend’s girlfriend, the last laugh is on him.

In tiny Colewell, Pennsylvania, the residents gather at the post office for mail and gossip, while the days pass quiet and serene. That is until news comes that the office is to close, and beloved clerk Nora (a marvelous Karen Allen) is left to fight for her job and reflect on the choices she has made that kept her in Colewell for so many years. Touching, with a hint of melancholy, Tom Quinn’s eloquent film is an ode to small-town life and the quiet emotions that come with nostalgia and memories of the past. As fears arise around her future and her past becomes ever more present, Nora states, “I don’t want to be lonely,” but what that means is elusive. Colewell gorgeously captures rural America, while giving space to the beauty of time passing and reflecting on what determines a life well lived.

It’s early autumn and Dr. Headley eagerly demonstrates what seems to be a miraculous cure for tuberculosis. Not far from where he is working, the disease seems preparing to soon claim yet another life, a teenage girl named Winifred. Winifred’s mother and little sister Trixie are devastated. When Trixie hears the family doctor say of Winifred that “when the last leaf falls, she will have passed away,” she interprets the doctor’s words literally. Thinking over what she has heard, she determines to do everything possible to save her sister.

An ambitious lawyer finds himself caught in a power struggle between a corrupt pharmaceutical executive and his firm’s senior partner. When the case takes a deadly turn, he must race to uncover the truth before he loses everything.

Michelle a single mother is kidnapped by three masked men and held hostage until she is forced to rob a bank which is the only option she has to saving her only child’s life while they are both wired to explode.

Amy and Mike unearth a centuries-old curse when they decide to watch an exclusive film reel. The duo must track down an infamous filmmaker and navigate a town of hungry zombies to save the world.

Three dramas based on three works by John Galsworthy, Susan Glaspell and Eugene O’Neill

A comedic drama about a group of people (and several robots) living on a space station in a 1970’s-version of the future. When a new Assistant Captain arrives, she inadvertently ignites tensions among the crew, prompting them to confront their darkest secrets. Barely contained lust, jealousy, and anger all bubble to the surface, becoming just as dangerous as the asteroid that’s heading right for them.

The fate of Tokugawa’s world hangs in the balance as Yagyu Jubei is sent on a mission to discover what happened to 10 of the shogun’s spies that never returned. Matsukata Hiroki, one of the last surviving members of the Golden Age of Japanese Cinema proves that he has not lost a step as he portrays an older and wiser Yagyu Jubei in a movie that brings the best of samurai filmmaking into the 21st century. Summoned from semi-retirement by Shogun Iemitsu, Jubei is asked to take to the road and investigate a clan rumored to be preparing explosives for a rebellion. With help from a beautiful female ninja they head into the Shirakawa domain where the fighting skills of both are tested time and again as they strive to destroy a conspiracy that could bring a new Warring States Era. In the 1960’s Yagyu Jubei was the signature role of the great Konoe Jushiro, father of Matsukata Hiroki. This brings the character full circle.

Faced with numerous obstacles and pressure to exceed her Mums expectations, 12-year-old Liverpudlian tomboy Aliza tries her best to raise money to save her fathers dance studio from permanent closure. While adapting to new London inner-city life, Aliza finds comfort in Teon, a shy, charming boy who lives in her block of flats and finds a new rival in national sweetheart and triple threat, Sophie Wallis. This coming of age tale depicts the story of being more than your surroundings with song, dance and grit taking centre stage.

Fishing Naked is a comedy. It is a film about four young adults being bad in the woods. They pull Bigfoot hoaxes, scare tourists, disrespect their elders, hook up and smoke dope. That is until they realize there is an alien creature they have inadvertently put in harms way with all the attention they have been attracting to their rural mountain community. As their relationships fray, they hatch a half-baked plot to pull the biggest hoax yet to right their wrongs by deliberately getting caught in the act.