Ulisse, Fulvio and Domenico decide to rent an apartment together in order to live with their modest work. However the three encounter any difficulties that have forced them to always be one step away from starvation. Ulisse has to maintain his wife and daughter selling recordings of important foreign singers, Fulvio has the task of reviewing silly scandals of celebrities instead of writing articles for major artists, while Domenico must keep his wife and children going to make love with old single pensioners.
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A series of loosely connected skits that spoof news programs, commercials, porno films, kung-fu films, disaster films, blaxploitation films, spy films, mafia films, and the fear that somebody is watching you on the other side of the TV.
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Federico Veiroj’s fourth feature examines the many, often contradictory layers that make up one’s persona, in this case, a single dad and acclaimed artist who must learn to balance family with creativity.
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Two estranged brothers are brought back together by the death of their mother. Her dying wish is to see them return to their birthplace and reunite with their abusive, alcoholic father. They set out on a journey that leads them to their hometown full of dark memories that the younger brother doesn’t remember and the older brother wants to forget. As each brother reconnects to the town and its people, they struggle to find the meaning of home, both for those who stay and for those who leave. Ultimately, they must confront the memory and the man of their father and are forced to choose between forgiveness and bitterness. ‘Generational Sins’ explores themes of home, grace, and forgiveness and how these ideas impact the decisions we make and the ramifications they have on people’s lives.
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