In today’s Tirana, Agim and Gëzim, two inseparable deaf-mute identical twin brothers in their forties, live under the same roof. Ana, Gëzim’s girlfriend, a young high-spirited woman in her thirties, visits them quite often. One evening, Agim is driving back home with Gëzim, when his sight gets blurred and a fatal accident nearly occurs. At the ophthalmologist, a few days later, the two brothers discover that due to a genetic and rare disease, they will separately, but progressively and irreversibly go blind. Slowly immersing into an unbearable silenced darkness, not being able to see the world and each other anymore, only Ana by their side, the two brothers have to make a strong decision around a cup of coffee with new shoes on.
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Finally summer vacation. Teenager Mahmoud wants a relaxing summer when Uncle Ji comes to visit from Pakistan. He has to be responsible for being his Oslo guide, and little brother Ali has a secret that turns his whole life upside down.
The manager of a rock band fires the drunken, psycho bass player, who goes on a rape and murder spree.
Two brothers rob a bank and take a young girl hostage. They find out that the girl is a nudist, so they force her to take them to a nudist colony so they can hide out.
We are with Pasolini during the last hours of his life, as he talks with his beloved family and friends, writes, gives a brutally honest interview, shares a meal with Ninetto Davoli, and cruises for the roughest rough trade in his gun-metal gray Alfa Romeo. Over the course of the action, Pasolini’s life and his art (represented by scenes from his films, his novel-in-progress Petrolio, and his projected film Porno-Teo-Kolossal) are constantly refracted and intermingled to the point where they become one.
Pierre, a famous explorer and writer, travels regularly through the world. Someday, climbing a hotel frontage while drunk, he falls from high and into a deep coma. When he awakes, he has difficulties walking but, against everyone’s advices, he decides to walk through France, following forgotten pathways…
Filmed entirely on location in East Hampton, Long Island, “Last Summer in the Hamptons” concerns a large theatrical family spending the last weekend of their summer together at the decades-old family retreat which economic circumstances have forced them to put on the market. Victoria Foyt plays a young Hollywood actress whose visit wreaks havoc on the stellar group of family and friends – led by matriarch Viveca Lindfors and made up of an extraordinary mix of prominent New York actors, directors, and playwrights. In the course of a very unusual weekend, comic as well as serious situations arise, and the family’s secrets – of which there are many – begin to unravel.
In the aftermath of the Spanish Civil War, Ana, a sensitive seven-year-old girl in a rural Spanish hamlet is traumatized after a traveling projectionist screens a print of James Whale’s 1931 “Frankenstein” for the village. The youngster is profoundly disturbed by the scenes in which the monster murders the little girl and is later killed himself by the villagers. She questions her sister about the profundities of life and death and believes her older sibling when she tells her that the monster is not dead, but exists as a spirit inhabiting a nearby barn. When a Loyalist soldier, a fugitive from Franco’s victorious army, hides out in the barn, Ana crosses from reality into a fantasy world of her own.
