Abby, obituary writer turned author, is used to making up quirky, charming characters in her books, but here in Bliss it almost seems like those characters have sprung to life, and Abby is fantasizing about moving right in. The townspeople have set their matchmaking minds in motion and they aren’t about to let Abby leave without a little love in her heart.

After two British Secret Intelligence Service agents are murdered at the hands of a cryptic neo-Nazi group known as Phoenix, the suave agent Quiller is sent to Berlin to investigate.

From a bland tract house on the outskirts of Los Angeles, Simon Geist (with occasional help from his platonic girlfriend Darla) wages war against all of modern American popular culture. Geist starts up a magazine called “The Next Big Thing”, which he uses to confront and insult upcoming actors, comics, models and rock bands. As Geist’s mysterious Underground Agenda escalates, will he become the “last big thing”, or be co-opted by the very forces he is railing against? Written by Van Film Fest

Tharlo is an orphan. Now grown up, he makes a living as a sheep herder in the village. He has grown a ponytail, so people simply call him “Ponytail”, since nobody remembers his real name anyway. Tharlo has a remarkable memory. He remembers so many things, except his own name. He is now in his forties, and he has yet to have his first woman. Now Tharlo goes to town to take a photo for his identity card. He meets a girl in the barber’s shop who changes the course of his life. He embarks on the journey to find his true self. He sells all his sheep and those entrusted by other villagers to him for care, and decides to use the money to go out into the world with the girl, only to find himself being deceived and cheated by her. Ironically, in his journey of self-discovery, Tharlo has lost his sense of self. As he witnesses in the mirror his ponytail being cut off and leaving him bald, he can no longer see himself as a man with a history that he recognizes.

A child abandoned in a subway coin locker is sold to a ruthless and calculating loan shark and gangster boss dubbed “Mother” (Kim Hye-soo), who runs an organ-harvesting ring in Incheon’s Chinatown. Named Il-Young (Kim Go-Eun), the baby girl grows into Mother’s loyal right-hand enforcer and is groomed to be her eventual successor. But when Il-Young’s loyalty to Mother wavers, the clash between the two unleashes a merciless tidal wave of blood-soaked retribution and strife.

An expatriate British publisher unexpectedly finds himself working for British intelligence to investigate people in Russia.

An emotionally troubled teenager gets into a passionate relationship with the older French woman working in his father’s house.

Three adult siblings return to their childhood home, where their parents were allegedly murdered many years ago. Their plan is to get the house and estate ready to be sold but an evil force tries to prevent them from doing so.

Ash Mayfair’s reworking of her acclaimed film THE THIRD WIFE into a silent, black and white film, creating a completely different cinematic experience. In late 19th century Vietnam, fourteen-year-old May becomes the third wife to a wealthy landowner. She quickly learns that she can gain status and security if she gives birth to a male child, but her burgeoning attraction to Xuan, the second wife, puts her fragile standing in jeopardy. As May observes the unfolding tragedy of forbidden love and its devastating consequences, she must make a choice, to either carry on in silence, or forge a path towards personal freedom.

Five young men linger in a postadolescent limbo, dreaming of adventure and escape from their small seacoast town. They while away their time spending the lira doled out by their indulgent families on drink, women, and nights at the local pool hall. Federico Fellini’s second solo directorial effort (originally released in the U.S. as The Young and the Passionate) is a semiautobiographical masterpiece of sharply drawn character sketches: Skirt chaser Fausto, forced to marry a girl he has impregnated; Alberto, the perpetual child; Leopoldo, a writer thirsting for fame; and Moraldo, the only member of the group troubled by a moral conscience. An international success and recipient of an Academy Award® nomination for Best Original Screenplay, I vitelloni compassionately details a year in the life of a group of small-town layabouts struggling to find meaning in their lives.

On the day in 1940 that Italy enters the war, two things happen to the 12-year-old Renato: he gets his first bike, and he gets his first look at Malèna. She is a beautiful, silent outsider who’s moved to this Sicilian town to be with her husband, Nico. He promptly goes off to war, leaving her to the lustful eyes of the men and the sharp tongues of the women. During the next few years, as Renato grows toward manhood, he watches Malèna suffer and prove her mettle. He sees her loneliness, then grief when Nico is reported dead, the effects of slander on her relationship with her father, her poverty and search for work, and final humiliations. Will Renato learn courage from Malèna and stand up for her?

In the 1970s, the golden age of gay pornography in New York City, a promising chorus boy is injured and told he will never dance again. Distraught and unimpressed with the “art” films playing seedy Times Square theaters, he gets his friends and lovers together and they start making their own hardcore movies. Against all odds the films are wildly successful until drugs, AIDS and cheap video technology bring it all crashing down