A naive traveler in Laredo gets involved in a poker game between the richest men in the area, jeopardizing all the money he has saved for the purpose of settling with his wife and child in San Antonio.
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In 1861, in the vicinity of Helena, Texas, mysterious Marshal James Jennings delivers a unique brand of justice.
An outlaw named Guerrero Hernandez is shot in the back and killed whilst attempting to free his half-brother from a small-town prison. Making a deal with the devil, Hernandez returns from the dead to take his revenge.
Man tries to recover a horse stolen from him by a Mexican bandit. The Appaloosa (also known as Southwest to Sonora) is a 1966 American Western film Technicolor (set in the 1870s) from Universal Pictures starring Marlon Brando, Anjanette Comer and John Saxon, who was nominated for a Golden Globe for Best Supporting Actor for his portrayal of a Mexican bandit. The film was directed by Sidney J. Furie, shot in Mexico. The 2008 Appaloosa film (starring Ed Harris and Viggo Mortensen) is not related nor a remake of this film, although it has almost the same title.
During the war for Texas independence, one man leaves the Alamo before the end (chosen by lot to help others’ families) but is too late to accomplish his mission, and is branded a coward. Since he cannot now expose a gang of turncoats, he infiltrates them instead. Can he save a wagon train of refugees from Wade’s Guerillas?
A wanted murderer, Billy John, is captured by Ben Brigade, a bounty hunter, who intends to take him to Santa Cruz to be hanged. Brigade stops at a staging post, where he saves the manager’s wife from an Indian attack, and enlists the help of two outlaws to continue his journey more safely.
The Civil War has ended, but Colonel Morsman Carver is on one final mission – to kill Gideon, no matter what it takes. Launched by a gunshot and propelled by rage, the relentless pursuit takes the two men through frigid snow-capped mountains and arid deserts, far from the comforts and codes of civilisation, into the bloodiest recesses of their own souls.
“If you don’t have your own plan, you’ll damn sure be a part of someone else’s.” That quote kicks off the first of multiple story lines, in the crime ensemble “Bubblegum & Broken Fingers.” This character-driven collage of sex, violence and survival is equal parts western, gangster and love stories. We follow the journey of a mysterious silver briefcase and witness the havoc it brings each new owner.
Sheriff Lane Dakota captures robbery-murder suspect Greiner just as the latter is wounded in an Apache ambush. At remote outpost Apache River, Lane and his prisoner spend the night with other travelers, including 2 women with a surprising number of fancy dresses. In the morning, who should appear but a band of ostensibly peaceful Apaches strayed from the reservation. And bigoted Colonel Morsby is strongly inclined to shoot first and ask questions afterward…
Tells the true story of Pearl Hart, a female outlaw who became famous for robbing a stagecoach and escaping prison in Arizona at the turn of the century.
After crossing the border illegally for work, Miguel, a hard-working father and devoted husband, finds himself wrongfully accused of murdering a former sheriff’s wife. After learning of his imprisonment, Miguel’s pregnant wife tries to come to his aid and lands in the hands of corrupt coyotes who hold her for ransom. Dissatisfied with the police department’s investigation, the former sheriff tries to uncover the truth about his wife’s death and discovers disturbing evidence that will destroy one family’s future, or tear another’s apart.
Flame of the West has always attracted more attention than most of Johnny Mack Brown’s Monogram westerns, if for no other reason than the offbeat casting of Douglass Dumbrille. Usually seen in villainous roles, Dumbrille herein offers a sincere, effective performance as a scrupulously honest US marshal named Nightlander. When he takes on a gang of crooked gamblers, Nightlander is shot down in cold blood, compelling frontier doctor John Poole (Johnny Mack Brown) to put his Hippocratic oath on the back burner and strap on the shootin’ irons.
