The story of a writer who returns to Ireland, after spending twenty five years in New York, to confront the ghosts of his past.
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Four high-school girls attempting to navigate their last day of summer in a failing town. Beset by sex, drugs, and violence, what begins as a cautionary tale of misguided youth becomes a story of atonement as our heroes discover their strength as young women and the true love that exists amongst best friends. What follows takes place over the course of 36 hours…
Gunner and Bucker are friends who work as riveters. Whenever Bucker gets the urge to marry, which is often, Gunner will hit on his girl to see if she is true or not. So far, Gunner hasn’t failed. But one night, while Gunner is in jail, Bucker meets Mary, a tough dame with a line. He falls for her, and she falls for his money. But Mary is already a gal pal of Gunner, and no two know about the third one. The trouble starts when the triangle is revealed too late.
In the continuing saga of the Corleone crime family, a young Vito Corleone grows up in Sicily and in 1910s New York. In the 1950s, Michael Corleone attempts to expand the family business into Las Vegas, Hollywood and Cuba.
Tells the imagined life of one of the world’s most famous authors, Emily Brontë, as she finds her voice and writes the literary classic Wuthering Heights, and explores the relationships that inspired her – her raw, passionate sisterhood with Charlotte and Anne; her first aching, forbidden love for Weightman and her care for her maverick brother whom she idolises.
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Simple conversations engender complicated human interactions. The first in Eric Rohmer’s Four Seasons series, Conte de printemps (A Tale In Springtime) is the story of an introverted young girl (Florence Darel) just reaching adulthood who takes a liking to an older woman she meets at a party (Anne Teyssedre) and determines to match her off with her father (Hugues Quester), despite the latter’s already having a lover of his own. There is a certain absurdity to this, apparent to both adults, who though both reluctantly attracted to each other resent Darel’s attempts at matchmaking. Nevertheless, both of them are intelligent enough to understand that there is no ‘proper’ way to meet, and are alive to the possibilities that life brings them. Darel, for her part, is a persistent catalyst. As with all Rohmer films, the stage is set, in an age of increasing impermanence and uncertainty in human relationships, for a series of minimalist reflections on love and life.
An outspoken boy and a gunfighter-pimp save a drifter’s life from hanging. The boy’s uncle dies, leaving a house and some dry, useless land to the boy. The dying uncle has obtained the drifter’s promise to help the boy get what is his. Meanwhile the gunfighter has decided that the drifter should marry his daughter after being with her previously. The two get into a series of brawls and shoot-outs until they arrive in the town and find the boy’s inheritance -which turns out not to be as useless as it first appears.
In a strict boarding school nestled in the Himalayas, 16-year-old Mira discovers desire and romance. But her sexual, rebellious awakening is disrupted by her mother who never got to come of age herself.
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