Two brothers, desperate to break into the world of television and film, decide to enter a horror movie contest. And what could be more horrifying than the elusive snuff film?
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Two sisters living separate lives on different continents are reunited on a Mediterranean Island. The two barely have time to bond and revive family ties as Kate, the elder, meets a group of locals and agrees to an exciting ride on a hot air balloon. But disaster strikes and as the result of a freak accident, the balloon is carried far out to sea. Their cell phones out of range, and the balloon running out of gas, Kate and her friends are battling for their lives. While, back on land, the younger sister, Liz, has become an unwanted “material witness” to a crime. Matters then take a dramatic twist, one that will mark their lives forever.
Part-thriller, part-nightmarish examination of the widening gap between originality and technology, The Removals imagines where we go from here. A secretive, nefarious agency seeks to control the culture. They do this by covertly staging reproductions of everyday events, and by so doing, undermining the moment’s originality and currency. Society is then left to puzzle over what might be real, and what is fake. The agency employs symbols—like the fascists, like imperial powers of the past—notably a red cone, to plant their flag upon the moment. Two agents, Kathryn and Mason, exhausted by the toll each removal has taken from them, quietly, and then overtly, set out to undermine the agency. Haunting, engaging, and with a ferocity of vision that calls to mind the cerebral thrillers of Shane Carruth, David Lynch, or Andrei Tarkovsky, Nicholas Rombes’s directorial debut is a spellbinding new work and apt analogy for the wormhole where modern social communication leads.
A mixed couple move to Los Angeles for a fresh start. But old wounds and resentments are re-ignited when the wife’s twin sister pays a visit.
Aaron Falk, a federal agent, returns to his hometown after his childhood friend dies in a gruesome murder-suicide, and stays to investigate the crime. But he eventually discovers that there is much more to the death than expected.
Rattled by sudden unemployment, a Manhattan couple surveys alternative living options, ultimately deciding to experiment with living on a rural commune where free love rules.
Just three weeks before her wedding, Lola (Greta Gerwig) finds herself suddenly without a partner when her longtime fiance, Luke (Joel Kinnaman), dumps her. With her 30th birthday looming and being forced to re-enter the New York City dating scene, she feels adrift in a cold world. She leans on her friends (Zoe Lister-Jones, Hamish Linklater) for support but, after a series of romantic humiliations, professional blunders and boozy antics, Lola realizes that she alone is in charge of her fate.
In this true story, Veronica Guerin is an investigative reporter for an Irish newspaper. As the drug trade begins to bleed into the mainstream, Guerin decides to take on and expose those responsible. Beginning at the bottom with addicts, Guerin then gets in touch with John Traynor, a paranoid informant. Not without some prodding, Traynor leads her to John Gilligan, the ruthless head of the operation, who does not take kindly to Guerin’s nosing.
Bok-Soon (Kim Go-eun-I) runs a street stall while taking care of her younger sister. Bok-Soon may not be the brightest girl but what she lacks in intelligence, she makes up for in uncontrollable rage. She’s infamously known as the “psycho bitch” in her neighborhood. Bok-Soon’s relatively peaceful life with her sister is disrupted when they cross paths with a serial killer named Tae-Soo (Lee Min-ki). Tae-Soo kills Bok-Soon’s sister because she may have stumbled upon the truth of his murderous lifestyle. Bok-Soon’s rage consumes her completely, leading her to plot her revenge on Tae Soo.
