As the US debt spirals out of control, it polarizes society and threatens to disrupt traditional retirement with an impending freight train of onerous taxes and draconian austerity measures.

As the war in Vietnam raged, one of the largest and most successful youth-led resistance movements in American history was growing at home. Hundreds of thousands of young men opposed to an unjust war said NO to being drafted into the military, risking up to five years in federal prison. Their individual courage and collective nonviolent actions helped end a tragic war and the draft.

War of Lies is the story of an Iraqi refugee, whose information about portable weapons of mass destruction passed through the hands of the BND, MI6 and CIA. This information was ultimately used by the US government to legitimize the invasion of Iraq in 2003. Today we know the war was based on a lie. The press blamed Rafed Ahmed Alwan, he, though, proudly presents himself as the man who helped remove Saddam Hussein. Was Alwan really able to walk all over the worlds intelligence services and how did this lie become a convenient truth?

Recorded live at Hammersmith Apollo, Russell questions the values of heroes and leaders. ‘Messiah Complex’ is a disorder where sufferers think they might be the messiah. Did Jesus have it? What about Che Guevara, Gandhi, Malcolm X and Hitler? All these men have shaped our lives and influenced the way we think. Their images are used to represent ideas that often do not relate to them at all. Would Gandhi be into Apple? Would Che Guevara endorse Madonna? Would Jesus be into Christianity? He concludes it’s all a load of rubbish and encourages the audience to stop voting, ignore advertising, look to the transcendent within themselves and others…and kick over some bins on their way home. Plus there’s sex. Obviously.

As a visually radical memoir, CAMERAPERSON draws on the remarkable footage that filmmaker Kirsten Johnson has shot and reframes it in ways that illuminate moments and situations that have personally affected her. What emerges is an elegant meditation on the relationship between truth and the camera frame, as Johnson transforms scenes that have been presented on Festival screens as one kind of truth into another kind of story—one about personal journey, craft, and direct human connection.

As Australian cinema broke through to international audiences in the 1970s through respected art house films like Peter Weir’s “Picnic At Hanging Rock,” a new underground of low-budget exploitation filmmakers were turning out considerably less highbrow fare. Documentary filmmaker Mark Hartley explores this unbridled era of sex and violence, complete with clips from some of the scene’s most outrageous flicks and interviews with the renegade filmmakers themselves.

The images comprise only of material Sergei Loznitsa found in the Moscow film archives about the siege of Leningrad during the World War II. By providing the originally silent images with a meticulously reconstructed soundtrack, the scenes from everyday life under siege seem to be set in the present. By not intervening in the montage but giving the scenes room to tell a story, the scenes transcend the specific historic events and lead a new life. They do not evoke memories of the past, but become a breathtaking reanimation of reality.

Examine the rise and fall of Hollywood media mogul Harvey Weinstein following the scandal in 2017. Learn from exclusive interviews with those who knew him in the industry, and a discussion of the start of the #MeToo movement.

Allergic to electronics and isolated in the Swedish wilderness in a homemade turtle shell of thick blankets. Meet 40-year-old William, whose mysterious condition is not recognised by the world.

“It’s a Hard Truth Ain’t It” is a companion piece to “O.G.”, a narrative drama also directed by Madeleine Sackler. It is co-directed by thirteen men incarcerated at the Pendleton Correctional Facility in Pendleton, Indiana.
Given unprecedented access to a maximum security prison, filmmaker Madeleine Sackler worked with a group of inmates to tell their own stories, giving rise to this collaborative, intimate documentary project.

An undaunted look into the cam business from performers and clients to website and studio owners.

Food Stamped is an informative and humorous documentary film following a couple as they attempt to eat a healthy, well-balanced diet on a food stamp budget. Nutrition educator Shira Potash teaches nutrition-based cooking classes to elementary school students in low-income neighborhoods, most of whom are eligible for food stamps. In an attempt to walk a mile in their shoes, Shira and her documentary filmmaker husband embark on the food stamp challenge where they eat on roughly one dollar per meal. Along the way, they consult with food justice activists, nutrition experts, politicians, and ordinary people living on food stamps, all in order to take a deep look at the struggles low-income Americans face every day while trying to put three-square meals on the table.