A newly married gunfighter seeks a quiet life with his bride. When he kills a bandit in self-defense, he finds them both pulled back into his old ways. The corrupt mayor of their locale will not let his brother’s death go unpunished.

While crossing the desert, a frontier scout, Jess Remsberg (Garner), rescues Ellen Grange (Andersson) from a pursuing band of Apaches, and returns her to her husband, Willard Grange (Weaver). He is contracted to act as a scout for an Army cavalry unit. Willard, Ellen, and her infant son are along for the ride, as is horse trader Toller (Poitier), a veteran of the 10th Cavalry (the “Buffalo Soldiers”). The party is trapped in a canyon by Chata, an Apache chief and grandfather of Ellen’s baby. Willard is captured and tortured. Jess sneaks away and brings reinforcements just in time to save the day. Jess learns that the man he has been hunting is none other than Willard Grange.

It has been twenty years since Don Diego de la Vega fought Spanish oppression in Alta California as the legendary romantic hero, Zorro. Having escaped from prison he transforms troubled bandit Alejandro into his successor, in order to foil the plans of the tyrannical Don Rafael Montero who robbed him of his freedom, his wife and his precious daughter.

A lone Mountie has come to town to clean up the crime and corruption after finding an innocent man dead. As he sets up home, in town, he discovers endless amounts of illegal activity taking place behind closed doors. Once he uncovers the men behind the crimes he prepares to take them down one by one in the most vicious showdown this town has ever seen.

After getting threatened by Kelly’s friends and family, Constable Fitzpatrick places the blame on Ned Kelly and exaggerates what happened. With the biggest ever award available, Kelly and his gang set into the wild, to remain hidden from everyone who seeks them. Even if it means having his family arrested, the Kelly Gang stay hidden and plan a way to get their names cleared.

Just as Fritz Lang’s Metropolis (1927) is testimony to German silent film art, The Story of the Kelly Gang (1906) symbolises both the birth of the Australian film industry and the emergence of an Australian identity. Even more significantly it heralds the emergence of the feature film format. The Story of the Kelly Gang, directed by Charles Tait in 1906, is the first full-length narrative feature film produced anywhere in the world. Only fragments of the original production of more than one hour are known to exist and are preserved at the National Film and Sound Archive, Canberra. (unesco.org)

The epic tale of the development of the American West from the 1830s through the Civil War to the end of the century, as seen through the eyes of one pioneer family.

Around 1820 the son of a California nobleman comes home from Spain to find his native land under a villainous dictatorship. On the one hand he plays the useless fop, while on the other he is the masked avenger Zorro.

A gang of cold-blooded outlaws narrowly escapes a blood-soaked bank robbery in a grimy frontier town. With a notorious bounty hunter hot on their trail, these nefarious criminals desperately need a place to hide out before night falls. Fate brings them to the home of the Tildons, a seemingly innocent family with two feisty daughters. As the men settle in, an impetuous game of cat and mouse plays out during the cold, black night. Come morning, nothing will ever be the same.

In the Wild West, the mysterious Death Rider enters a dangerous Vampire Sanctuary where the price of admission is a one female virgin.

After his wife and family are horribly murdered, a confederate begins a quest to hunt down the Yankee killers in the American West.

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