At the heart of the HIV/AIDS crisis and widespread hysteria, a single number and letter designated a ward on the fifth floor of San Francisco General Hospital, the first in the country designed specifically to deal with AIDS patients. The unit’s nurses’ emphasis on humanity and consideration of holistic well-being was a small miracle amidst a devastating crisis and the ensuing panic about risk and infection.
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Rewriting history every step of their way, SEVENTEEN’s first Seoul World Cup Stadium concert and encore tour [SEVENTEEN TOUR ‘FOLLOW’ AGAIN TO SEOUL] is coming to big screens worldwide this August! From the eagerly awaited full thirteen-member performances to the premiere of “MAESTRO” and unique unit performances of “Spell”, “LALALI”, “Cheers to youth”, the film captures these unforgettable moments with cinematic cameras from multiple angles, ensuring an immersive experience. This concert film begins with a powerful daylight performance that transitions into an event brimming with a diverse array of music. Culminating under a night sky illuminated by CARAT lightsticks, it captures the essence of SEVENTEEN’s record-breaking nine-year legacy. Relive the exhilaration of the concert in ScreenX, 4DX, and ULTRA 4DX for an unparalleled experience.
A dogged family-run paper in Iowa gives citizens the scoop on forces threatening to overwhelm their precarious small-town existence.
Beginning with Space Invaders in 1978, arcade games began to appear everywhere. By 1982, there were 13,000 dedicated arcade locations across North America. It was the Golden Age of Arcade Games, generating $3.2 billion dollars in 1983. By 1985, revenue had fallen 97%. Atari declared bankruptcy. Arcades closed. Most of the old games were converted or destroyed. A few were packed into warehouses where they remained, largely forgotten, for at least another decade. This is the story of arcade video games, and the generation who grew up in the arcades attempting to collect and preserve their fondest memories.
An outstanding lineup of entertainers gathers in the Kennedy Center Concert Hall to salute Jon Stewart, recipient of the 23rd annual Mark Twain Prize for American Humor.
Straps the viewer firmly into the driver’s seat as it follows the highs and lows of Rebel Rock Racing during their inaugural IMSA season. A deeply moving portrait of the pursuit of one’s dream.
Driven by dedication, sacrifice and raw talent, 30 elite cheerleading teams compete to become the sport’s ultimate champion.
From filmmaker Dawn Porter (who earlier this year directed “John Lewis: Good Trouble”), the film explores the remarkable journey of Jordan from modest Southern origins to national renown as a pioneering attorney, businessman, civil rights leader, and as a fixture (could one also say a “fixer?”) on the DC scene. Jordan’s story is told principally through a chronological narration of his life and accomplishment, most of it taken from recent (2019) interviews with and narration by Jordan himself. His early life in Atlanta is limned, where Jordan describes the treasured influence of his mother Mary and his early academic successes (including a law degree from Howard University). His activities in the civil rights movement in the 1960’s and 1970’s are highlighted, culminating in his ten-year tenure as director of the Urban League.
Bring on the Night is a 1985 documentary film, that focuses on the jazz-inspired project and band led by the British musician Sting during the early stages of his solo career. Some of the songs, whose recording sessions are featured in the film, appeared on his debut solo album The Dream of the Blue Turtles. Each musician in the band through the course of the film is interviewed.
First Descent is a 2005 documentary film about snowboarding and its beginning in the 1980s. The snowboarders featured in this movie (Shawn Farmer, Nick Perata, Terje Haakonsen, Hannah Teter and Shaun White with guest appearances from Travis Rice) represent three generations of snowboarders and the progress this young sport has made over the past two decades. Most of the movie was shot in Alaska.
Máxima, Berta and Carolina are Latina activists. They are fighting tirelessly against the brutal practices of multinationals against nature and indigenous peoples in Peru, Honduras and Brazil.
Housing prices are skyrocketing in cities around the world. Incomes are not. PUSH sheds light on a new kind of faceless landlord, our increasingly unliveable cities and an escalating crisis that has an effect on us all. This is not gentrification, it’s a different kind of monster.The film follows Leilani Farha, the UN Special Rapporteur on Adequate Housing, as she’s travelling the globe, trying to understand who’s being pushed out of the city and why. “I believe there’s a huge difference between housing as a commodity and gold as a commodity. Gold is not a human right, housing is,” says Leilani.
Weather you’re learning to ski in Sugarbush, Vermont, or throwing triple-twisting areal maneuvers in Breckenridge, Colorado, when you challenge yourself beyond your comfort zone, you experience a genuine Black Diamond Rush.