1897. Dead for a Dollar follows veteran bounty hunter Max Borlund deep into Mexico where he encounters professional gambler and outlaw Joe Cribbens—a sworn enemy who Max sent to prison years before. Borlund is on a mission to find and return Rachel Kidd, the hostage wife of a wealthy Santa Fe businessman. Discovering that Mrs. Kidd has actually fled from an abusive marriage, Max is ultimately faced with a choice: finish the dishonest job he’s been hired to accomplish or stand aside while ruthless mercenary outlaws and his long-time rival close in… Max and his partner Alonzo Poe have nothing to gain if they resist— nothing save honour.

In 1997, before the visit of the pope to Rio de Janeiro, Captain Nascimento from BOPE (Special Police Operations Battalion) is assigned to eliminate the risks of the drug dealers in a dangerous slum nearby where the pope intends to be lodged.

A famous actress has been trapped in the limo should take her to the gala which would collect an award for his career. The crystals are tinted black, the doors are locked and a strange voice lets you clear that if you do not want to spend more unpleasant things than strictly necessary, for the rest of the night will fulfill all his orders. It’s time, THE SHOW BEGINS …

The wealthy president of a company has built up an unpayable debt to a local crime lord, and to escape punishment he sells his famous dancer wife to the lecherous old man figuring a 90 year old can’t do too much bad with her. Perhaps not, but others can while he watches. She’s put on stage in an underground BDSM sex show and begins a spiraling decent from strongly independent woman to submissive sex slave

Amber and Kyle are ready to move on after a car accident two years ago. But their world turns upside down when Jessica, the other driver who lost her unborn baby in the accident, moves in next door and gets a job with Amber’s doctor — all in a plan to seek a cold form of revenge.

After a strange sighting, four friends decide to move in the near woodlands to investigate. Soon their week-end becomes a nightmare and a race for survival.

Shannon Hughes has taken on a charity project renovating a grand old Victorian mansion. When a local banker is found murdered inside, Shannon must dust off the clues and cement the truth before her renovation becomes a demolition.

When millionaire businessman Ted Billings (Glenn Morshower) double-crosses his partners in a weapons deal, he decides to hire some protection. Billings enlists Eugene “Vash” Vasher (Lou Diamond Phillips) a mercenary-for-hire and soon, Vash is fighting off assaults on his boss from all sides, but on top of that, he doesn’t even like Billings who has a hidden agenda. Among the shoot-outs and chases, Vash forms a bond with Emily (Yancy Butler) Billings’ chief-of-security and Vash’s former flame who’s not all that she appears to be.

The Messenger is the story of Jack’s last melt down: a story of frustration and guilt, love and betrayal, family and blame. Unwillingly becoming embroiled in the unfinished business of Mark, a journalist brutally murdered in the local park and his television presenter wife, Sarah, to whom he’s desperate to say one last goodbye, Jack finds himself getting closer to Sarah, obsessed with passing on Mark’s message. Discovering hidden secrets and lies finally pushes the fragile Jack over the edge but there is hope when his estranged sister, Emma, gets in touch. Jack starts to remember the past they shared together and as the memories come flooding back, he confronts the truth about the death of his father.

A young Aji Mathew is a communist who goes the whole nine yards for the ideologies he believes in. When the girl he loves leaves to the US out of the blue and her parents fix her wedding, Aji is left with just a fortnight to reach the country albeit with no passport or visa. How far he is willing to go for love forms the plot.

A couple trapped in a cinema are manipulated into becoming unwilling actors in a film being captured by CCTV cameras.

A troubled young girl gets a job at a modeling school where she is tortured by the voices in her head and the sounds in the walls. Roman Polanski meets Roger Corman in this micro-budget masterpiece made by a group of students under the leadership of veteran actor John Walcutt.