A documentary exploring how money and the trading of value has evolved, culminating in Bitcoin.

The Big One is an investigative documentary from director Michael Moore who goes around the country asking why big American corporations produce their product abroad where labor is cheaper while so many Americans are unemployed, losing their jobs, and would happily be hired by such companies as Nike.

In a word, “I’m Fine, Thanks” is a movie about complacency, or why so many settle for mediocrity in their everyday life at the expense of a greater passion. It’s a collection of stories on the choices we make and the paths we ultimately decide to follow.

Two South Africans set out to discover what happened to their unlikely musical hero, the mysterious 1970s rock ‘n’ roller, Rodriguez. The film won Best Documentary at the 85th Academy Awards.

A sensation to indies rock scene since 2000s and actively present today among fans even during their breaks. The first full-length documentary in the band’s history starts from the production base in LA for the first album in 16 years, and navigates the stories from how they started, took break after breaking through, and reunited with nationwide fans awaited.

A Colorado family is thrust into the international media spotlight when they fight for the rights of their 6-year-old transgender daughter in a landmark civil rights case.

The untold story of the summer of 2003 at Baylor University that exposes the attempted cover-up, and the corruption that became the most bizarre scandal in college sports history.

Through key testimonies, this documentary looks at a gang rape that took place during the 2016 San Fermín festival and sparked protests worldwide.

A group of British children aged 7 from widely ranging backgrounds are interviewed about a range of subjects. Director Michael Apted plans to re-interview them at 7 year interviews to determine how their lives and attitudes have changed.

Michael Winterbottom, celebrated director of 24 Hour Party People, The Road to Guantanamo, and The Trip, joins forces with actor, comedian, and provocateur Russell Brand for that most unlikely of documentary approaches: an uproarious critique of the world financial crisis. Building on Brand’s emergence as an activist following his 2014 book Revolution, where he railed against “corporate tyranny, ecological irresponsibility, and economic inequality,” The Emperor’s New Clothes pairs archival footage with comedic send-ups conducted in the financial centers of London and New York. Brand spotlights not only how the crisis affected the working class around the world, but also how the uber-wealthy benefited from the downturn. With Winterbottom providing his signature ingenuity and pinpoint directorial control, they generate a riveting, boisterous, and, at times, cathartic riff on the extreme disparities between the haves and have nots in contemporary society.

In this explicit sex education film based on clinical research made by American and Swedish doctors, a panel of experts in the field of sex education discuss various aspects of human sexuality. The film deals with and demonstrates all kinds of problems related to sexual relationships.

Hull, England, 1970. In a run-down commune in a tough port city, a group of social misfits – mostly working class, mostly self-educated – adopted new identities and began making simple street theater under the name COUM Transmissions. Their playful performances gradually gave way to work that dealt openly with sex, pornography, and violence. COUM lived on the edges of society, surviving on meager resources, finding fellowship with others marginalized by the mainstream. At the core of the group were two artists, Genesis P-Orridge and Cosey Fanni Tutti. As their work evolved, Cosey embarked on a career modeling for pornographic magazines, which she claimed for herself as a conceptual artwork, using it to forge a specific position in relationship to 1970s feminism. In performances, Genesis pushed himself to extremes, testing the limits of the human body.