One of the most popular musical comedies of the 1950s starts with flirting between a bohemian sport pilot and a serious mathematics teacher. The lesson is that in life, not everything happens as would appear logical at the outset. In the wake of the inflexible and demagogic dramas of Stalinism, this colourful comedy was a true breath of fresh air. It is innovative not only for being full of great hits but also for being the first film in a very long time that was about pure love.
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Jessica Olsen goes to Los Angeles with nothing more in mind that visiting her grandparents while her sister tries to meet Christopher Wilde. One night she meets Christopher Wilde. They go an an adventure around Los Angeles and start to like each other. When Jessica returns home, Christopher, on national TV, says he doesn’t know her, and never met her.
During a weekend corporate retreat, her best friends convince unlucky-in-love Lonnie to “switch the script” and take control of men. Lonnie impresses every man in the place with her beauty and charm-most importantly, her boss’ good-looking son David. Now, Lonnie tries to embrace her new personality without turning away what quite possibly may be “Mr. Right.”
Tough talk takes a soft turn as Nate, played by comedian Natalie Palamides, explores humor, heartbreak, sexuality and consent — with a live audience.
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Alison Flesh, a rebellious and intrepid Nice police captain, is forced by her superior, Commissioner Djiba, to work in tandem with Parisian lieutenant Leïla Balani, an expert in criminology but a real drag in the field. On the trail of a serial killer, Flesh and Balani will have to team up even if it means turning over the entire Riviera.
Best friends Peter and Lexa decide to try the one thing they’ve never tried: dating each other.
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Young, bestselling author Eryn Bellow concludes her bookstore tour with her agent selling film rights and closing a six figure advance for her follow-up. Headwinds arise as critics get offended by the claims that Eryn is being declared a living literary legend. The storm gathers force as the assaults gravitate from bad reviews to a fake-memoir designed to obliterate her from the field. Through the noise, Eryn attempts to write her way out of the public fray, and reclaim her voice in the minds of her readers. Along the way, she hopes to prove a happy ending is not always a bad thing.
An Australian film about a hard-partying Sydney ad man who seeks to start a new chapter in his life.
A yellow cab is driving through the vibrant and colourful streets of Tehran. Very diverse passengers enter the taxi, each candidly expressing their views while being interviewed by the driver who is no one else but the director Jafar Panahi himself. His camera placed on the dashboard of his mobile film studio captures the spirit of Iranian society through this comedic and dramatic drive…
On the last day of summer, a group of friends attempt to break into a local music festival.
