A documentary exploring the birth, death and resurrection of illustrated movie poster art. Through interviews with a number of key art personalities from the 70s and 80s, as well as many modern, alternative poster artists, “Twenty-Four by Thirty-Six” aims to answer the question: What happened to the illustrated movie poster? Where did it disappear to, and why? In the mid 2000s, filling the void left behind by Hollywood’s abandonment of illustrated movie posters, independent artists and galleries began selling limited edition, screenprinted posters — a movement that has quickly exploded into a booming industry with prints selling out online in seconds, inspiring Hollywood studios to take notice of illustration in movie posters once more.
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The deeds of a professional musician who abandons his trumpet and family to live the clandestine life of an armed revolutionary for Puerto Rican independence.
The Wind Sculpted Land is a film about Estonian nature. The nature of this Northern country might not seem anything special at a first glance, but digging deeper one can find true gems. Flooded meadows, coastline, bogs altogether with wild animals and flocks of migrating birds are actually small worlds on their own. Even more, the very same nature has held and sculpted the character of the people living here. The film was made during 2015-2018, it took more than 400 days out on the field filming birds, animals and different landscapes. Filming took place in different parts of Estonia, mainly in natural parks. The Wind Sculpted Land is truly a magical journey to Estonia´s unique and scenic nature. The film is part of a film programme dedicated to celebrate the 100th anniversary of the Republic of Estonia.
As glam rock’s most flamboyant survivors, X Japan ignited a musical revolution in Japan during the late ’80s with their melodic metal. Twenty years after their tragic dissolution, X Japan’s leader, Yoshiki, battles with physical and spiritual demons alongside prejudices of the West to bring their music to the world.
Filmed entirely inside the world of virtual reality (VR), this immersive and revealing documentary roots itself in several unique communities within VRChat, a burgeoning virtual reality platform. Through observational scenes captured in real-time, in true documentary style, this film reveals the growing power and intimacy of several relationships formed in the virtual world, many of which began during the COVID-19 lockdown, while so many in the physical world were facing intense isolation.
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For the first time in 35 years, Daniel Lutz recounts his version of the infamous Amityville haunting that terrified his family in 1975. George and Kathleen Lutz’s story went on to inspire a best-selling novel and the subsequent films have continued to fascinate audiences today. This documentary reveals the horror behind growing up as part of a world famous haunting and while Daniel’s facts may be other’s fiction, the psychological scars he carries are indisputable. Documentary filmmaker, Eric Walter, has combined years of independent research into the Amityville case along with the perspectives of past investigative reporters and eyewitnesses, giving way to the most personal testimony of the subject to date.
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France, 1942: A serial killer stalks the streets of Occupied Paris. Using the chaos of the war to his own advantage, psychotic doctor Marcel Petiot poses as a resistance operative and preys on those most desperate to flee the Nazi regime – Jews, criminals and underground partisans. As the body count rises, both the French police and the Gestapo race against time to bring him to justice.
Athletes who have struggled for acceptance due to race, religion, sexual orientation, and other prejudices, endure conflict in their quest to level the playing field.
Florida, 1994. Artist Mike Diana is convicted on an obscenity charge in the wake of an undercover police officer purchasing his limited edition zine Boiled Angel. Here is the very unusual story of what led to this First Amendment debacle happening for the first time in the United States.
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