If you erase the people of downtown America, the effect is bizarre, not to say disturbing. That is what this film does. It shows the familiar urban scene without a soul in sight: streets empty, buildings empty, yet everywhere there is evidence of recent life and activity. At the end of the film we learn what has happened.
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Commissioner Beffrois waits for retirement with mixed enthusiasm when a theft of paintings catches his attention.
Based on the life of Indian guru Shirdi Sai Baba (Nagarjuna Akkineni), who taught love, forgiveness, charity and devotion.
Roberto is an insurance salesman who dreams of writing his own novel. When he meets Estela, a young woman about to commit suicide, it serves him as material to make this work.
Alex and Edith, a young couple in their 30s, live their relationship made up of small gestures and everyday life among the ruins of Cuban buildings. Milagros, an elderly woman now retired, tries to survive by selling peanuts and spends her days listening to the radio and reading old letters. Frank and Alain, two nine-year-old friends, go to school and dream of emigrating together to the United States to become Major League Baseball players. Against the backdrop of San Antonio De Los Baños, a town in inland Cuba where time seems to stand still, these three narratives and their respective worlds unfold. Over this mosaic of contemporaneity, however, brought to life through the characters’ memories, hovers the specter of separation, the true great scourge of Cuban society.
A ghost story set in the pastoral countryside of the north shore of O‘ahu, Hawai‘i. Told in four chapters, it tells the story of an elderly man facing the end of his life, visited by the ghosts of his past.
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The daughter of a Scottish farmer comes of age in the early 1900s.
A man wanders around Venice, still bruised from a failed marriage, lost in an empty city, finding old books, memories, and a momentary ghost.