In 1979 Santa Barbara, California, Dorothea Fields is a determined single mother in her mid-50s who is raising her adolescent son, Jamie, at a moment brimming with cultural change and rebellion. Dorothea enlists the help of two younger women – Abbie, a free-spirited punk artist living as a boarder in the Fields’ home and Julie, a savvy and provocative teenage neighbour – to help with Jamie’s upbringing.
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Set in the world of No More Lonely People, childhood friends reunite to celebrate Angelo, the last of their group to turn twenty three. As the night progresses old feelings come up and they start to question whether the system is perfect.
Two people in two different countries, both in COVID-19 lockdown, have a love affair through FaceTime — but how viable is a relationship that might as well be just a fantasy?
December 2006. On a cold winter’s night, just before Christmas, the 16-year-old youth, Nick van Sant, escapes from an orphanage in the Belgian Ardennes. He encounters Leon Gevers, a down on his luck ‘has-been’, from the world of show business who is on his way home from another disappointing gig. At first their relationship is uneasy but Leon decides to help Nick find his grandmother, Alice Gardner. As she is the only one who holds the truth about what happened with Nick Parents. The notary Bruno Weinberg, who advises Alice, will do everything in his power to prevent this from happening. Uncovering the secrets of the past finally brings them to Paris. Written by Hans Royaards
Based on the beloved writings of L. Frank Baum, The Woodsman, an imaginative retelling of the origins of Oz’s Tin Woodsman, is the story of the Tin Man, the woman he loved, and the witch that would stop at nothing to keep them apart. Through spectacular life-size puppetry by and Edward W. Hardy’s original music, the ensemble of Strangemen & Co. presents an inventive take on one of America’s original fairy tales.
Rich old Cyrus West’s relatives are waiting for him to die so they can inherit. But he stipulates that his will be read 20 years after his death. On the appointed day his expectant heirs arrive at his brooding mansion. The will is read and it turns out that Annabelle West, the only heir with his name left, inherits, if she is deemed sane. If she isn’t, the money and some diamonds go to someone else, whose name is in a sealed envelope. Before he can reveal the identity of her successor to Annabelle, Mr. Crosby, the lawyer, disappears. The first in a series of mysterious events, some of which point to Annabelle in fact being unstable.
The captain of a submarine sunk by the Japanese during WWII is finally given a chance to skipper another sub after a year of working a desk job. His singleminded determination for revenge against the destroyer that sunk his previous vessel puts his new crew in unneccessary danger.
Scantily clad female warriors battle thieves to save a small village. Director Yasuharu Hasebe crossed the Seven Samurai legends of Shichinin No Samurai with his own popular Naraneko Rokku series and dressed it up with some of the most popular softcore pinup queens of the day.
Johnny is a high-powered executive who is definitely not looking to fall in love but a business conference takes her to wine country she meets a handsome widower Andrew who invites Johnny to meet his family after she loses her job. In helping his parents’ winery she begins to fall in love with him and his family but when she gets offered another job she has to chose between her career or Andrew
Fitness trainer/former marriage counselor Molly White (Pascale Hutton) runs “Bridal Boot Camp:” classes combining fitness and yoga with pre-marital counseling exercises to brides and grooms before their big day.
An independent tragicomedy, Run If You Can is the debut feature for director Brüggemann who, along with his sister, also wrote the compelling screenplay. Forced to spend the rest of his life in a wheelchair, Ben is deeply desperate, despite his humor and vivaciousness. When he meets Christian, his new assistant, Ben treats him like every other helper he’s had. Things suddenly change when Christian meets Annika, “the cello player” whom Ben has been observing from his window for years. The three become close friends, putting Annika in the middle of an emotional, and somehow dangerous, ménage à trois. While conquering Annika is nothing very serious for career-focused Christian, Ben’s love for Annika reminds him of his past and forces him to face his most remote fears. A character-driven story, Run If You Can owes much of its power to the actors’ performances, especially Robert Gwisdek’s outstanding interpretation of Ben.
