In the early 2000s, two brothers found tremendous success when their company began selling a device that has been called ‘the biggest revolution in law enforcement since the radio.’ But as their company grew, they made decisions that would have lasting impact on both the public and their increasingly skeptical customer base.

A lawless poacher wants to capture a majestic and rare golden eagle, so he kidnaps the boy who knows where to find the bird. Not to worry — the Rescue Aid Society’s top agents, heroic mice Miss Bianca and Bernard, fly to Australia to save the day. Accompanying the fearless duo are bumbling albatross Wilbur and local field operative Jake the Kangaroo Rat.

APEX: The Secret Race Across America is a documentary film that takes viewers on a fast-paced ride through the illegal, underground world of U.S. transcontinental racing. How fast can you drive cross-country?

Interviews, reenactments, animations, and more tell the story of the Black army regiments, formed after the Civil War, who played vital roles (from railroad builders to park rangers) in the American settling of the West.

This sequel revisits the unforgettable characters from the acclaimed documentary UNDER OUR SKIN, and investigates new research and scandals in the exploding global Lyme disease crisis.

An immersive and enthralling journey through the Sonoran Desert on the U.S.-Mexico border, El Mar La Mar weaves together harrowing oral histories from the area with hand-processed 16mm images of flora, fauna and items left behind by travelers. Subjects speak of intense, mythic experiences in the desert: A man tells of a fifteen-foot-tall monster said to haunt the region, while a border patrolman spins a similarly bizarre tale of man versus beast. A sonically rich soundtrack adds to the eerie atmosphere as the call of birds and other nocturnal noises invisibly populate the austere landscape. Emerging from the ethos of Harvard’s Sensory Ethnography Lab, J.P. Sniadecki’s attentive documentary approach mixes perfectly with Joshua Bonnetta’s meditations on the materiality of film. Together, they’ve created an experience of the border region like nothing you’ve seen, heard or felt before.

Documentary in which painter and critic Matthew Collings charts the rise of abstract art over the last 100 years, whilst trying to answer a set of basic questions that many people have about this often-baffling art form. How do we respond to abstract art when we see it? Is it supposed to be hard or easy? When abstract artists chuck paint about with abandon, what does it mean? Does abstract art stand for something or is it supposed to be understood as just itself?

From acclaimed graphic novelist Dash Shaw (New School) comes an audacious debut that is equal parts disaster cinema, high school comedy and blockbuster satire, told through a dream-like mixed media animation style that incorporates drawings, paintings and collage. Dash (Jason Schwartzman) and his best friend Assaf (Reggie Watts) are preparing for another year at Tides High School muckraking on behalf of their widely-distributed but little-read school newspaper, edited by their friend Verti (Maya Rudolph). But just when a blossoming relationship between Assaf and Verti threatens to destroy the boys’ friendship, Dash learns of the administration’s cover-up that puts all the students in danger. Hailed as “the most original animated film of the year” and “John Hughes for the Adult Swim generation”, the film’s everyday concerns of friendships, cliques and young love remind us how the high school experience continues to shape who we become, even in the most unusual of circumstances.

A documentary that follows the harsh daily life of the nuns of a Buddhist monastery in this ancient kingdom of northern India, made of destitution and joyful complicity.

The classic tale of ‘Peter Pan’ continues in Disney’s sequel ‘Return to Never Land’. In 1940 on a world besieged by World War II, Wendy, now grown up, has two children, one of them is her daughter, Jane.

Former United States Secretary of Defense, Donald Rumsfeld, discusses his career in Washington D.C. from his days as a congressman in the early 1960s to planning the invasion of Iraq in 2003

Dawn Mikkelson’s Risking Light is a meditation on forgiveness, layered with a theme that is rarely seen on the screen—forgiving the unforgivable. Five years prior to making the film, Mikkelson met Mary Johnson and O’Shea Israel, a meeting she describes as a life-changing event that would lead to the development of Risking Light. It was then she learned that Johnson had chosen to forgive Israel for the murder of her son, which motivates the tone of humanistic mission in the film.