When this year’s round of unsuspecting Northerners fail to show up for their annual Guts N’ Glory Jamboree, the residents of Pleasant Valley take their cannibalistic carnival on the road and head to Iowa where they encounter spoiled heiresses Rome & Tina Sheraton and the cast and crew of their “Road Rascals” reality show. Performing “The Bloodiest Show on Earth”, our Southern Maniacs prove more than ratings killers in what John Landis has called “one of the rare sequels that surpasses the original”.
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Peker Mengen wins the post of mayor in a remote town with the promise of a visit by the prime minister and making the town a province. When the people do not forget his promise, Mengen ends up persuading the prime minister to visit the town with his idiosyncratic methods. After consulting with his advisors, Peker prepares a grandiose welcome ceremony, but when the ceremony gets out of his control, the town of 5000 people suddenly ends up becoming a country, one that is at war with America. As Peker Mengen, his unwillingly married wife Mualla and his advisors try to keep America at bay and struggle with the difficulties of establishing a new country, they even get the help of an alien to achieve their goals.
Suitcases of cash fall out of an armored car onto the busy streets, and people go crazy picking it up! Typical loner Jay Kwan (Sing Lam) and his buddy Ang Ray (Neo Yau) are both witnesses, and they’re curious about the incident. They then call up a ‘search team’ on Golden Forum to look into it. Golden Forum Goddess (Larine Tang) is attracted, and joins them. Policewoman Nancy O (Stephy Tang), the money-minded girl Mandy O (Grace Chan)’s sister, is the only one there to guard the money that day even if she’s off duty, and is regarded as a heroine! She’s therefore asked to join the investigation to the case. Police believe that it’s an accident, and it’s difficult to get all the money back, so the investigation should stop. But as the ‘search team’ keep digging, they realize that there’s more than meets the eye…
A young girl turns into an A-List celebrity over night when her private journal is accidently published and becomes a best-seller.
A romantic comedy that brings together three disparate characters who are learning to face a challenging and often confusing world as they struggle together against a common demon: sex addiction.
The second of Trier’s films known collectively as the Europa trilogy. The other two films in the trilogy are The Element of Crime (1984) and Europa (1991). Co-written by Niels Vørsel, the film focuses on the screenwriting process. Vørsel and von Trier play themselves, coming up with a last-minute script for a producer. This story is intercut with scenes from the film they write, in which von Trier plays a renegade doctor trying to cure a modern-day epidemic. In an ironic twist, the doctor discovers that he himself has been spreading the virus.
Eloise is a precocious but lovable six-year-old girl who lives in New York’s Plaza Hotel. Her caretaker “Nanny” watches over her while her mom is away. Then one day, while trying to figure out how to get invited to a fancy ball as well as how to meet a visiting prince, Eloise makes a new friend around her age! So she decides to take him on a tour of the city – and all while plotting some matchmaking hijinks for her other friends too!
A young man falls for a young woman on his trip home; unbeknownst to him, her family has vowed to kill every member of his family.
Valerie Vestron, is looking for a vacation from her life. Her friends have a plan to get her out of the house and get her to a secluded cabin. They plan to throwback some beer, and unwind, for the weekend, but they get more than they bargained for.
“Occident” is a bitter comedy about the people who want to emigrate from Romania, and about those who stay behind. The movie has a rich, interesting structure: there are three different stories – a weeklong in the film – that cross, interconnect and happen in the same period. The characters influence each others lives, sometimes even without knowing. Main characters from one story become secondary characters in another story. At the same time, scenes from the first part of the movie bring unexpected facts when seen the second or the third time. The stories do not have just one ending: the first story ends in each of the third parts in a different point, suggesting radically different solutions for the characters. The way in which the director fits time and links events together often produces thematically unexpected results.
