Artie is pure bred trailer trash. He has zero ambition, is everyone’s favorite punching back at school and bears the burden of his virginity in silence. And then April moves out of the state. She’s his best friend and support since kindergarten and the love of his life. Three years later Artie finally has the courage to take to the road and go see April to tell her how he feels about her. One car-crash later Artie wakes up in the middle of the zombie apocalypse. But this time he’s not going to hide. Artie’s love for April doesn’t give him wings, but does give him the courage to hack, slash, punch and kick himself a part towards the girl he loves. Time is of the essence, because that bite on his hand will make the difference between a French kiss and a bite out of April’s brains.

Liu Yifei plays Elso, a reputed French flutist who travels from Paris to Chengdu. Her life is compared to the one of a night peacock, an eternal conflict between life and death, love and time. A night peacock, by Fabre’s definition, is a moth with the life goal of finding their soul mate.

When a thirty-something couple set aside the home furnishings catalogue and decide to rekindle their relationship, they return to their old neighborhood and end up squatting illegally in their twenty-something lives.

Dr. Syd has a good practice in the big city but a bad day when her terminal patient finally passes away. Her surgeon boyfriend, who has been sarcastically nick named “Mr. Personality” and “Settle For” by Syd’s best friend (Nurse Brenda), takes this opportunity to offer support and destroys it by telling Syd dying is part of life and she’d be a better doctor if she stayed more remote from her patients and, oh, by the way, “can I come over tonight”? He is surprised when she says “not tonight.” Brenda tells Syd to get away for a few days and suggests Syd change her mind and go back to her small hometown for her school reunion.

Gorgeous IRA operative Maria flees the British authorities and finds herself in Mexico, where she meets a stunning woman also named Maria, a singer in a traveling circus. The new friends start a vaudeville act — one that grows exponentially more popular after they incorporate striptease into their routine. When the singer Maria falls for a charismatic Mexican rebel, the girls leave the circus behind and recreate themselves as wild-eyed revolutionaries.

Nightmares of the past haunt the beautiful, mysterious Olivia (Suzanna Love), a London resident who begins a passionate affair with American businessman Mike (Easy Rider’s Robert Walker, Jr.). Trapped in a loveless marriage and traumatized by memories of her mother’s brutal murder, Olivia hopes her lover will offer a chance at a new life. However, ghostly voices and brutal murders ignite a fiendish, twist-filled story of double identities, deception, and erotic terror.

The story of a man whose love for football, for England and for the love of his life, Margaret, saw him rise from Nazi ‘villain’ to British hero. Bert Trautmann, the German goalkeeper won over even his harshest opponents by winning the FA Cup Final for Manchester City in 1956 – playing on with a broken neck to secure victory.

Three to one may sound like fairly good odds, but it depends on the game. When the “one” is one very irresistible woman and the “three” are three hopelessly smitten guys, the deck is pretty stacked. In the battle of the sexes, the first rule is to never underestimate the power of a woman.

Afflicted with a terminal illness John Bernard Brooks, the last of the legendary gunfighters, quietly returns to Carson City for medical attention from his old friend Dr. Hostetler. Aware that his days are numbered, the troubled man seeks solace and peace in a boarding house run by a widow and her son.However, it is not Brooks’ fate to die in peace, as he becomes embroiled in one last valiant battle.

It’s 1982, and Taeko is 27 years old, unmarried, and has lived her whole life in Tokyo. She decides to visit her family in the countryside, and as the train travels through the night, memories flood back of her younger years: the first immature stirrings of romance, the onset of puberty, and the frustrations of math and boys. At the station she is met by young farmer Toshio, and the encounters with him begin to reconnect her to forgotten longings. In lyrical switches between the present and the past, Taeko contemplates the arc of her life, and wonders if she has been true to the dreams of her childhood self.

A British medical doctor fights a cholera outbreak in a small Chinese village, while also being trapped at home in a loveless marriage to an unfaithful wife.

Gwyneth Paltrow plays London publicist Helen, effortlessly sliding between parallel storylines that show what happens if she does or does not catch a train back to her apartment. Love. Romantic entanglements. Deception. Trust. Friendship. Comedy. All come into focus as the two stories shift back and forth, overlap and surprisingly converge.