Charting the rise and fall of three corrupt real estate agents who accumulate absurd wealth in no time but fall into a vortex of fraud, greed and drugs.

Jerry Seinfeld returns to the club that gave him his start in the 1970s, mixing iconic jokes with stories from his childhood and early days in comedy.

A young journalist interviews a man who was a torturer during the early days of the communist regime in Romania.

Chandra Bose goes to his close friend Yatindran’s house, to watch TV . One day a minor squabble gets out and Chandra storms out swearing to buy a color TV . He takes desperate measures to acquire TV and gets caught in a series of troubles.

Topper is once again tormented by a fun-loving spirit. This time, it’s Gail Richards, who was accidentally murdered while vacationing at the home of her wealthy friend, Ann Carrington (Landis), the intended victim. With Topper’s help, Gail sets out to find her killer with the expected zany results.

Drake and Josh are left home alone while their mom and dad leave on a ten-day cruise. But they have to take Megan to the airport in order to be ‘entirely’ left alone. Megan has to go to Colorado to meet her. Drake gets her a ticket to go not to Colorado, but to Los Angeles. Drake and Josh try to stop the plane, but are stopped by security guards. Then, they buy tickets to go to LA. When they’re on the plane, Drake sits next to some cute girls, while Josh sits next to some very annoying people. In the middle of the flight, Josh decides to go to a different seat. Josh sits next to a man that has a G-0. He doesn’t notice that the G-0 contains codes to run the money machine that he saw on the news. The annoying lady walks up to the front near Josh while there is turbulence. The lady falls on Josh, mixing up the G-0’s.

Decorated Vietnam hero Frank Vega returns home only to get shunned by society leaving him without a job or his high school sweetheart. It’s not until forty years later when an incident on a commuter bus (where he protects an elderly black man from a pair of skin heads) makes him a local hero where he’s suddenly celebrated once again. But his good fortune suddenly turns for the worse when his best friend Klondike is murdered and the police aren’t doing anything about it.

A revolutionary film about the cinematic genius of North Korea’s late Dear Leader Kim Jung-IL, with a groundbreaking experiment at its heart – a propaganda film, made according to the rules of his 1987 manifesto. Through the shared love of cinema, AIM HIGH IN CREATION! forges an astonishing new bond between the hidden filmmakers of North Korea and their Free World collaborators. Revealing an unexpected truth about the most isolated nation on earth: filmmakers, no matter where they live, are family.

When Tom gets hit on the head by a cricket ball, he finds himself on the miserable children’s ward of St Hugo’s Hospital, where he is greeted by a terrifying-looking porter and wicked matron. But things aren’t as bad as they seem and Tom is soon to embark on the most thrilling journey of a lifetime!

In the sleepy town of Stensfors, the soccer team used to be something to be proud of , playing in the national league 30 years ago. Now the team will be dissolved if it can’t win the rest of the games in the local league. Team member Kent goes on a business trip to Liverpool and meet Duncan Miller, the premier league football star of the 1980s who promises to come over to Sweden and play a few games just for fun. Unfortunately, when he arrives it is obvious that their saviour is both an alcoholic and very unfit to play. Plot by Mattias Thuresson.

Whenever trouble strikes in one of her relationships, single mother Mary Jo Walker and her daughter, Ava, pack up and move to another city, a routine Ava is tiring of. This time, they are helped on their move to San Diego by trucker Jack Ranson. While Ava settles in, getting a leading part in the school play, Jack starts dating Mary Jo but soon reveals himself to be controlling and aggressive. Mary Jo prepares to flee again, angering Ava.

A lighthearted take on director Yasujiro Ozu’s perennial theme of the challenges of inter­generational relationships, Good Morning tells the story of two young boys who stop speaking in protest after their parents refuse to buy a television set. Ozu weaves a wealth of subtle gags through a family portrait as rich as those of his dramatic films, mocking the foibles of the adult world through the eyes of his child protagonists. Shot in stunning color and set in a suburb of Tokyo where housewives gossip about the neighbors’ new washing machine and unemployed husbands look for work as door-to-door salesmen, this charming comedy refashions Ozu’s own silent classic I Was Born, But . . . to gently satirize consumerism in postwar Japan.